Tristan Barrocks(I)
- Director
- Producer
- Writer
A Jamaican-Canadian director, writer, producer, and educator, Tristan Barrocks is redefining Black storytelling on a global scale. Based in Toronto but reaching audiences worldwide, his work is raw, emotional, and deeply human. His critically acclaimed short film Dear Black Dad struck a chord with audiences internationally, while projects like the 2023 web series Wallflower, the documentary series Connecting the Dots (2019), and Mother to Mother (2022) have further cemented his reputation as a filmmaker who crafts narratives with authenticity and heart.
His film Sugar Dumplin', a deeply personal and culturally rich exploration of Jamaican and Caribbean identity, has made waves on the international festival circuit with 13+ selections including the American Black Film Festival, the Pan African Film Festival, the British Urban Film Festival, and CaribbeanTales International Film Festival, winning at the Crown Point International Film Festival.
He is a multiple W3, Anthem, Telly, and Communication Award winning director recognized for his visionary approach behind the camera. His films have screened at some of the world's most prestigious festivals including the American Black Film Festival, Essence Festival, the Swedish International Film Festival, and the Pan African Film Festival.
His short film A Letter From The Fathers II (2024) won at the Swedish International Film Festival, Five Continents International Film Festival, and Daddying Film Festival - accumulating 10+ international selections and establishing him as one of Canada's most decorated independent filmmakers.
Beyond his own filmmaking, Tristan is committed to uplifting the next generation of storytellers. A two-time participant of the Diversity of Voices Initiative, a judge for the Canada Media Fund Racialized Production Portfolio (2023-2025), and a Professor of Digital Media at Seneca College, he is dedicated to ensuring that BIPOC creatives not only have a voice but are heard loud and clear. He has also been selected twice as part of the South African MIP Africa delegation - representing Canadian Black filmmakers on an international stage.
Tristan Barrocks isn't just telling stories - he's shaping the future of cinema. His mission? To bring authentic, meaningful Black narratives to the forefront, proving that representation isn't a trend - it's a necessity.
His film Sugar Dumplin', a deeply personal and culturally rich exploration of Jamaican and Caribbean identity, has made waves on the international festival circuit with 13+ selections including the American Black Film Festival, the Pan African Film Festival, the British Urban Film Festival, and CaribbeanTales International Film Festival, winning at the Crown Point International Film Festival.
He is a multiple W3, Anthem, Telly, and Communication Award winning director recognized for his visionary approach behind the camera. His films have screened at some of the world's most prestigious festivals including the American Black Film Festival, Essence Festival, the Swedish International Film Festival, and the Pan African Film Festival.
His short film A Letter From The Fathers II (2024) won at the Swedish International Film Festival, Five Continents International Film Festival, and Daddying Film Festival - accumulating 10+ international selections and establishing him as one of Canada's most decorated independent filmmakers.
Beyond his own filmmaking, Tristan is committed to uplifting the next generation of storytellers. A two-time participant of the Diversity of Voices Initiative, a judge for the Canada Media Fund Racialized Production Portfolio (2023-2025), and a Professor of Digital Media at Seneca College, he is dedicated to ensuring that BIPOC creatives not only have a voice but are heard loud and clear. He has also been selected twice as part of the South African MIP Africa delegation - representing Canadian Black filmmakers on an international stage.
Tristan Barrocks isn't just telling stories - he's shaping the future of cinema. His mission? To bring authentic, meaningful Black narratives to the forefront, proving that representation isn't a trend - it's a necessity.
