Dylan Neely
- Music Department
- Composer
- Sound Department
Dylan Neely is a composer and music editor living in New York's Hudson Valley. His film scores include The Tributaries (Kat Gueli), 18 To Party (Jeff Roda) and If You Can Ever Get Back (Taylor Nagel), while his on-camera music arrangements have been featured on TV shows such as Mozart in the Jungle, The Undoing, The First Lady, and Hunters. Recent projects include original music for Tavi Gevinson & Sam Freilich's audio adaptation of Glimpses of the Moon and additional music for the PBS documentary Elie Wiesel: Soul On Fire.
Credits as a music editor include Sorry, Baby (Eva Victor), Black Phone 2 (Scott Derrickson), Babes (Pamela Adlon), Trap (M. Night Shyamalan), Menudo: Forever Young (Angel Manuel Soto), and Stutz (Jonah Hill). Music supervision credits include Caddo Lake (Celine Held & Logan George), Castle for Christmas (Mary Lambert), and The Farewell (Lulu Wang), for which he received a Guild of Music Supervisors Awards nomination.
Dylan has performed at spaces including The Museum of the Moving Image, Issue Project Room, Symphony Space, Lincoln Center, The Stone, MoMA PS1, and La MaMa, and written music for theater and opera projects presented at The Drawing Center, The Tank, Columbia University, LPAC and NYFW. Recent performances with the audiovisual collaboration Fan Letters feature custom-designed light-activated solar synthesizers.
He studied music on a Fulbright Fellowship to Serbia; other residencies include The Watermill Center, Flux Factory, VICC (Sweden), highSCORE (Italy) and SiMN (Brazil).
Credits as a music editor include Sorry, Baby (Eva Victor), Black Phone 2 (Scott Derrickson), Babes (Pamela Adlon), Trap (M. Night Shyamalan), Menudo: Forever Young (Angel Manuel Soto), and Stutz (Jonah Hill). Music supervision credits include Caddo Lake (Celine Held & Logan George), Castle for Christmas (Mary Lambert), and The Farewell (Lulu Wang), for which he received a Guild of Music Supervisors Awards nomination.
Dylan has performed at spaces including The Museum of the Moving Image, Issue Project Room, Symphony Space, Lincoln Center, The Stone, MoMA PS1, and La MaMa, and written music for theater and opera projects presented at The Drawing Center, The Tank, Columbia University, LPAC and NYFW. Recent performances with the audiovisual collaboration Fan Letters feature custom-designed light-activated solar synthesizers.
He studied music on a Fulbright Fellowship to Serbia; other residencies include The Watermill Center, Flux Factory, VICC (Sweden), highSCORE (Italy) and SiMN (Brazil).
