Other works

(1992 - 1993) She directed Paul Walsh's translation of August Strindberg's play, "Creditors," in an American Conservatory Theatre production in San Francisco, California.

(1992 - 1993) She directed Ruth Draper and Julia Child's play, "Bon Appetit!," in an American Conservatory Theatre production in San Francisco, California. Lee Holby was composer.

(1992 - 1993) She directed Timberlake Wertenbaker's translation of Sophocles' play, "Antigone," in an American Conservatory Theatre production in San Francisco, California.

(1995 - 1996) She directed Tom Stoppard's play, "Arcadia," in an American Conservatory Theatre production in San Francisco, California.

(1994 - 1995) She directed Timberlake Wertenbaker's translation of Euripedes' play, "Hecuba," in an American Conservatory Theatre production in San Francisco, California.

(1995 - 1996) She directed William Shakespeare's play, "The Tempest," in an American Conservatory Theatre production in San Francisco, California.

(1993 - 1994) She directed Anton Chekhov's play, "Uncle Vanya," in an American Conservatory Theatre production in San Francisco, California.

(1994 - 1995) She directed David Storey's play, "Home," in an American Conservatory Theatre production in San Francisco, California.

(1996 - 1997) She directed Tennessee Williams' play, "The Rose Tattoo," in an American Conservatory Theatre production in San Francisco, California.

(1998 - 1999) She directed Timberlake Wertenbaker's translation of Euripedes' play, "Hecuba," in an American Conservatory Theatre production in San Francisco, California.

(1996 - 1997) She directed Leslie Ayvazian's play, "Singer's Boy," in an American Conservatory Theatre production in San Francisco, California.

(1997 - 1998) She directed Michael Feingold's translation of Friedrich Schiller's play, "Mary Stuart," in an American Conservatory Theatre production in San Francisco, California.

(1997 - 1998) She directed Harold Pinter's play, "Old Times," in an American Conservatory Theatre production in San Francisco, California.

(1999 - 2000) She directed Tom Stoppard's play, "The Invention of Love," in an American Conservatory Theatre production in San Francisco, California.

(1998 - 1999) She directed Tom Stoppard's play, "Indian Ink," in an American Conservatory Theatre production in San Francisco, California.

(1999 - 2000) She directed Michael Feingold's translation of Bertolt Brecht's play, "The Threepenny Opera," in an American Conservatory Theatre production in San Francisco, California. Kurt Weill was composer.

(2000 - 2001) She directed Constance Congdon's translation of Moliere's play, "The Misanthrope," in an American Conservatory Theatre production in San Francisco, California.

(2000 - 2001) She directed Richard Nelson's translation of Luigi Pirandello's play, "Enrico IV," in an American Conservatory Theatre production in San Francisco, California.

(2001 - 2002) She directed the musical, "The Difficulty of Crossing a Field," in an American Conservatory Theatre production in San Francisco, California. David Lang was composer. Mac Wellman wrote libretto.

(2001 - 2002) She directed Harold Pinter's plays, "Celebration," and "The Room," in an American Conservatory Theatre production in San Francisco, California.

(2002 - 2003) She directed Tom Stoppard's play, "Night and Day," in an American Conservatory Theatre production in San Francisco, California.

(2002 - 2003) She directed Antony Chekhov's play, "The Three Sisters," in an American Conservatory Theatre production in San Francisco, California.

(2001 - 2002) She directed Linda Gaoriau translation of Michel Tremblay's play,"For The Pleasure Of Seeing Her Again," in an American Conservatory Theatre production in San Francisco, California.

(2005 - 2006) She and Paul Walsh adapted Charles Dickens' novel, "A Christmas Carol," in an American Contemporary Theatre production in San Francisco, California. She was also director.

(2003 - 2004) She directed Samuel Beckett's play, "Waiting For Godot," in an American Contemporary Theatre production in San Francisco, California.

(2004 - 2005) She directed Tom Stoppard's play, "The Real Thing," in an American Contemporary Theatre production in San Francisco, California.

(2003 - 2004) She directed David Mamet's adaptation of Harley Granville Barker's play, "The Voysey Inheritance," in an American Contemporary Theatre production in San Francisco, California.

(2003 - 2004) She directed Paul Walsh's translation of Henrik Ibsen's play, "A Doll's House," in an American Contemporary Theatre production in San Francisco, California.

(2003 - 2004) She directed Constance Congdon's adaptation of Maxim Gorky's's novel, (Vassa Zheleznova) into a play,""A Mother," in an American Contemporary Theatre production in San Francisco, California.

(2008 - 2009) She directed Tom Stoppard's play, "Rock N' Roll," in an American Contemporary Theatre production in San Francisco, California.

(2007 - 2008) Paul Walsh and her adaptation of Charles Dickens' novel, "A Christmas Carol," was performed in an American Contemporary Theatre production in San Francisco, California. She was original director. Domenique Lozano was director.

(2007 - 2008) She directed Nikolai Gogol's play, "The Government Inspector," in an American Contemporary Theatre production in San Francisco, California.

(2006 - 2007) She directed Paul Walsh and his adaptation of Charles Dickens' novel, "A Christmas Carol," in an American Contemporary Theatre production in San Francisco, California.

(2006 - 2007) She directed Philip Kan Gotanda's play, "After The War," in an American Contemporary Theatre production in San Francisco, California.

(2007 - 2008) She directed John Ford's play, "Tis A Pity She's A Whore," in an American Contemporary Theatre production in San Francisco, California.

(2005 - 2006) She directed the musical, "Happy End," in an American Contemporary Theatre production in San Francisco, California. Bertolt Brecht wrote the lyrics. Kurt Weill was composer. Michael Feingold adapted the lyrics.

(2006 - 2007) She directed Tom Stoppard's play, "Travesties," in an American Contemporary Theatre production in San Francisco, California.

(2009 - 2010) She directed Timberlake Wertenbaker's translation of Jean Racine's play, "Phedre," in an American Contemporary Theatre production in San Francisco, California.

(2010 - 2011) She directed Harold Pinter's play, "The Homecoming," in an American Contemporary Theatre production in San Francisco, California.

(2008 - 2009) Paul Walsh and her adaptation of Charles Dickens' novel, "A Christmas Carol," was performed in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director. She was original director.

(2009 - 2010) Paul Walsh and her adaptation of Charles Dickens' novel, "A Christmas Carol," was performed in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director. She was original director.

(2010--2011 Paul Walsh and her adaptation of Charles Dickens' novel, "A Christmas Carol," was performed in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director. She was original director.

(2008 - 2009) She directed Jose Rivera's play, "A Christmas Carol," in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director.

(2009 - 2010) Val Caniparol and she directed their play, The Tosca Project," in an American Contemporary Theatre production in San Francisco, California.

(2011 - 2012) She and Paul Walsh adapted Charles Dickens' novel, "A Christmas Carol," in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director. She was original director.

(2012 - 2013) She directed Timberlake Wertenbaker's translation and adaptation of Sophoces' play, "Elektra," in an American Contemporary Theatre production in San Francisco, California.

(2012 - 2013) She and Paul Walsh adapted Charles Dickens' novel, "A Christmas Carol," in an American Contemporary Theatre production in San Francisco, California. Domenique Lozano was director. She was original director.

(2011 - 2012) She directed Samuel Beckett's plays, "Endgame" and "Play," in an American Contemporary Theatre production in San Francisco, California.

(2011 - 2012) She directed Linda Gaboriau's translation of Wajdi Mouawad's play, "Scorced," in an American Contemporary Theatre production in San Francisco, California.

(2012 - 2013) She directed Tom Stoppard's play, "Arcadia," in an American Contemporary Theatre production in San Francisco, California.