Ellie Turner(I)
- Actress
Ellie Turner is a British actress. She gained a drama scholarship to Bedales school and trained at Webber Douglas Academy of Dramatic Arts. Upon leaving drama school she has worked extensively in the theatre in London and across the UK.
She has two Ian Charleson Commendations for her stage work - an award run by The National Theatre and The Times newspaper celebrating actors in classic roles under 30yrs. She is a member of Andy Serkis' motion capture company The Imaginarium. She also won best Actress at The Golden Egg awards in New York for her performance in ‘Black Cab’, a short film directed by Leopold Hughes.
She writes and illustrates alongside her acting work. She is a highly skilled horse rider.
Some theatre reviews include
From The Times for her performance in ‘Noor’ ‘The company establishes a punchy dynamic, with standout performance from Ellie Turner as the jealous Renee'
From The Telegraph for ‘Hindle Wakes’ 'As Fanny Ellie Turner does a beautifully relaxed and lively turn'
From What’s On Stage for ‘Stone Face’ 'A show-making performance from Ellie Turner . Turner allows the character to 'speak' almost entirely through her bodily movements alone'
She has two Ian Charleson Commendations for her stage work - an award run by The National Theatre and The Times newspaper celebrating actors in classic roles under 30yrs. She is a member of Andy Serkis' motion capture company The Imaginarium. She also won best Actress at The Golden Egg awards in New York for her performance in ‘Black Cab’, a short film directed by Leopold Hughes.
She writes and illustrates alongside her acting work. She is a highly skilled horse rider.
Some theatre reviews include
From The Times for her performance in ‘Noor’ ‘The company establishes a punchy dynamic, with standout performance from Ellie Turner as the jealous Renee'
From The Telegraph for ‘Hindle Wakes’ 'As Fanny Ellie Turner does a beautifully relaxed and lively turn'
From What’s On Stage for ‘Stone Face’ 'A show-making performance from Ellie Turner . Turner allows the character to 'speak' almost entirely through her bodily movements alone'
