Arman Aloyan
- Composer
- Sound Department
- Executive
Arman Aloyan was born in Hollywood, CA to Armenian immigrants. He began to fall in love with classical music at the age of four, listening to the works of Mozart, Chopin, Rachmaninoff, and others, for hours on end. His mom, Vardui, had always wanted to learn the piano back in their home country, but her parents couldn't afford it. She became Aloyan's coach and biggest supporter.
Around the age of six, Aloyan started taking notice of film scores in particular, especially the works of John Williams, Nino Rota and Hans Zimmer. He became obsessed with their soundtracks and was now convinced he wanted to write for film. At the age of twelve, he composed the score to his first short film, "Subhuman," which went on to garner awards at numerous international film festivals and secure distribution in over 40 countries across the world. Over the next four years (while still in high school), Aloyan scored an additional eleven short films and sound designed the feature film, "Fly on the Wall."
Recently, Aloyan scored the film "Noise," which arose a challenge for Arman since most of the film was silent and required a score that fit to a deaf person's perception of sound. The film went on to be nominated for the Grand Jury Prize at the Austin Film Festival. He currently resides in Los Angeles, CA where he is working on his first feature film score.
Around the age of six, Aloyan started taking notice of film scores in particular, especially the works of John Williams, Nino Rota and Hans Zimmer. He became obsessed with their soundtracks and was now convinced he wanted to write for film. At the age of twelve, he composed the score to his first short film, "Subhuman," which went on to garner awards at numerous international film festivals and secure distribution in over 40 countries across the world. Over the next four years (while still in high school), Aloyan scored an additional eleven short films and sound designed the feature film, "Fly on the Wall."
Recently, Aloyan scored the film "Noise," which arose a challenge for Arman since most of the film was silent and required a score that fit to a deaf person's perception of sound. The film went on to be nominated for the Grand Jury Prize at the Austin Film Festival. He currently resides in Los Angeles, CA where he is working on his first feature film score.
