Adam Miller(XXII)
- Music Department
- Sound Department
- Soundtrack
Clients & collaborators: Alex Baranowski, David Housden, Thomas Farnon, Peter Gregson, Jessica Jones, Emilie Levienaise-Farrouch, Nitish Raina, Sam Thompson
Over a decade spent in-house at AIR, Adam perfected his craft on feature films and classical records, games, and major stadium shows, working with the best and most innovative in the industry.
With a diverse and expansive portfolio, Adam's significant contributions include, recording and mixing Bobby Krlic's captivating score for Ari Aster's unsettling horror film Midsommar and more recently the collaborative score of the 2024 hit nostalgic romantic comedy series One Day, for Anne Nikitin, Jess Jones, and Tim Morrish. Mix projects include Emilie Levienaise-Farrouch's ominous score for Prano Bailey-Bond's critically acclaimed 2021 Sundance debut, Censor as well as hit comedy Everyone Else Burns for Thomas Ross Fitzsimons.
His long-term collaboration with composer Peter Gregson has included recording and mixing his Deutsche Grammophon debut Recomposed by Peter Gregson: Bach - The Cello Suites, as well as co-producing Gregson's album Patina. More recently, he engineered and mixed Gregson's BBC drama Lost Boys and Fairies.
Over a decade spent in-house at AIR, Adam perfected his craft on feature films and classical records, games, and major stadium shows, working with the best and most innovative in the industry.
With a diverse and expansive portfolio, Adam's significant contributions include, recording and mixing Bobby Krlic's captivating score for Ari Aster's unsettling horror film Midsommar and more recently the collaborative score of the 2024 hit nostalgic romantic comedy series One Day, for Anne Nikitin, Jess Jones, and Tim Morrish. Mix projects include Emilie Levienaise-Farrouch's ominous score for Prano Bailey-Bond's critically acclaimed 2021 Sundance debut, Censor as well as hit comedy Everyone Else Burns for Thomas Ross Fitzsimons.
His long-term collaboration with composer Peter Gregson has included recording and mixing his Deutsche Grammophon debut Recomposed by Peter Gregson: Bach - The Cello Suites, as well as co-producing Gregson's album Patina. More recently, he engineered and mixed Gregson's BBC drama Lost Boys and Fairies.
