Trivia

In 1979, he suffered an injury to his right hand.

His father, a violinist, gave him a small fiddle, but he began piano lessons, though a return to the violin was planned. However, young Graffman's affinity for the piano soon became evident.

By the age of seven, he found himself entering the Curtis Institute of Music in Philadelphia as a student where he would study for 10 years.

His parents are Russian immigrants.

Probably Graffman's best known recorded performance was for the soundtrack of the 1979 Woody Allen movie Manhattan in which he played Gershwin's Rhapsody In Blue, accompanied by the New York Philharmonic. Portions of the Philharmonic/Graffman version have been featured countless times in TV and movies over the last quarter century.

Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. From 1946 to 1948, he studied at Columbia University.

Graffman's finger sprain may have been a trigger for focal dystonia, a neurological disorder that causes loss of function and uncontrollable curling in the fingers. The pianist Leon Fleisher, a close friend of Graffman, also had the disorder.

In 1949, Graffman won the Leventritt Competition. He then furthered his piano studies with Rudolf Serkin at the Marlboro Music Festival and informally with Vladimir Horowitz.

Seven left-hand works have been commissioned for Graffman. In 1993, for example, he performed the world premiere of Ned Rorem's Piano Concerto No. 4, written specifically for the left hand, and in 2001 he premiered Daron Hagen's concerto Seven Last Words.

The American composer William Bolcom composed Gaea, a concerto for two pianos left hand for Graffman and Leon Fleisher. It received its first performance in Baltimore in April 1996. The concerto is constructed in such a way that it can be performed in one of three ways, with either piano part alone with reduced orchestra, or with both piano parts and the two reduced orchestras combined into a full orchestra.

Graffman received honorary doctoral degrees, was honored by the cities of Philadelphia and New York, and received the Governor's Arts Award by the Commonwealth of Pennsylvania.

In 1981, Graffman published a memoir, I Really Should Be Practicing.

In 1985 he gave the UK premiere of Korngold's Piano Concerto for the left hand. Paul Wittgenstein had commissioned the work in the 1920s and played it many times, but it later slipped from the repertoire.

In 1964, he recorded Rachmaninoff's Rhapsody on a Theme of Paganini with Leonard Bernstein conducting the New York Philharmonic. He also made a classic recording of Prokofiev's Third Piano Concerto with George Szell and the Cleveland Orchestra in 1966; it was reissued on CD as part of Sony Classical's "Great Performances" series in 2006. In the 1970s, Graffman appeared with the Guarneri Quartet and the Juilliard String Quartet in performances of chamber music.

In 1954, he returned to Columbia to perform Edward MacDowell's Piano Concerto No. 2 under Leopold Stokowski at the university's bicentennial concert.

Gary Graffman was an American classical pianist, teacher and administrator.

In 1977, he sprained the ring finger of his right hand. Because of this injury he began re-fingering some passages for that hand in such a way as to avoid using the affected finger. This altered technique appeared to aggravate the problem, ultimately forcing him to stop performing with his right hand altogether by around 1979. Thereafter, Graffman pursued his other interests such as writing, photography, and Oriental art.

Upon graduation he played with numerous orchestras and performed concerts and recitals internationally. Over the next three decades, he toured and recorded extensively, performing solo and with orchestras around the globe. He revived the Tchaikovsky 2nd and 3rd Piano Concertos, recorded by CBS with Eugene Ormandy and the Philadelphia Orchestra, and several of his students play these works.

In 1980, he joined the faculty at the Curtis Institute of Music, where his career had begun. He took over as the school's director in 1986, and added the title of President in 1995, serving in both capacities until 2006, when he retired.

His students included pianists Lydia Artymiw, Lang Lang, Yuja Wang, Haochen Zhang, and Szuyu Su.