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IMDbPro

Katrin Gebbe

  • Director
  • Writer
IMDbProStarmeterSee rank
Katrin Gebbe in Nothing Bad Can Happen (2013)
Katrin Gebbe is a writer/director from Germany. She is the lead director of the german Netflix series "Die Kaiserin" (2022). Before that, she directed "Pelikanblut" (2019), her second feature starring Nina Hoss. The film premiered in Venice and opened the prestigious section Orrizonti. The film won the Méliès d'Or Award for the Best European Fantastic Film in Sitges and the main award at Bucheon International Film Festival in South Korea. Furthermore, Gebbe won Best Director at Fantastic Fest (Austin/USA). Her debut feature "Tore tanzt" (2013) premiered in Un Certain Regard at Cannes. The film won the german Film Critics Award, the Bavarian Film Award, and the New Auteurs Critics Award at AFI Fest (a.o.). Before her first feature, she attended the Hamburg Media School where she directed award-winning short films. Before this, she shot her first experimental films at the Academy of Visual Arts and Design in the Netherlands, and the School of the Museum of Fine Arts in Boston, USA.
Born1983
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    • Agent info
    • Resume
Born1983
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
    • Awards
      • 10 wins & 19 nominations total

    Known for

    Nothing Bad Can Happen (2013)
    Nothing Bad Can Happen
    6.8
    • Director
    • 2013
    Pelican Blood (2019)
    Pelican Blood
    6.1
    • Director
    • 2019
    The Field Guide to Evil (2018)
    The Field Guide to Evil
    4.8
    • Director(segment "A Nocturnal Breath")
    • 2018
    Sores & Sîrîn (2009)
    Sores & Sîrîn
    6.6
    Short
    • Director
    • 2009

    Credits

    IMDbPro

    Director



    • Stephen Graham, Malachi Kirby, and Erin Doherty in A Thousand Blows (2024)
      A Thousand Blows
      7.3
      TV Series
      • directed by
      • 2026
    • Devrim Lingnau in The Empress (2022)
      The Empress
      7.8
      TV Series
      • directed by
      • 2022
    • Pelican Blood (2019)
      Pelican Blood
      6.1
      • Director
      • 2019
    • The Field Guide to Evil (2018)
      The Field Guide to Evil
      4.8
      • Director (segment "A Nocturnal Breath")
      • 2018
    • Howalds Fall (1990)
      Tatort
      7.0
      TV Series
      • Director
      • 2016
    • I Am the Rain If You Are the Meadow
      Music Video
      • Director
      • 2016
    • Nothing Bad Can Happen (2013)
      Nothing Bad Can Happen
      6.8
      • Director
      • 2013
    • Frittenbude: Bilder mit Katze
      Music Video
      • Director
      • 2011
    • Einladung
      Short
      • Director
      • 2009
    • Sores & Sîrîn (2009)
      Sores & Sîrîn
      6.6
      Short
      • Director
      • 2009
    • Narzissen (2007)
      Narzissen
      Short
      • Director
      • 2007

    Writer



    • Pelican Blood (2019)
      Pelican Blood
      6.1
      • screenplay
      • 2019
    • The Field Guide to Evil (2018)
      The Field Guide to Evil
      4.8
      • Writer (segment "A Nocturnal Breath")
      • 2018
    • I Am the Rain If You Are the Meadow
      Music Video
      • idea
      • 2016
    • Nothing Bad Can Happen (2013)
      Nothing Bad Can Happen
      6.8
      • written by
      • 2013
    • Frittenbude: Bilder mit Katze
      Music Video
      • script
      • 2011

    Personal details

    • Official site
      • Official Site
    • Born
      • 1983
      • Ibbenbüren, North Rhine-Westphalia, Germany

    Did you know

    • Quotes
      [on working opportunities for female directors in German Film and TV industry] I don't know if the new focus on supporting more female directors and producers played a role in our financing. But when I compare myself and my female colleagues to male national and international directors who have a similarly successful first feature, women definitely have a harder time to win job proposals and financing. It is also more difficult to make a second feature at all and, if one does, it mostly takes longer, even though there is so much research that proves women are really smart with their budgets and their films win prizes more often. In Germany still only 4% of feature films are produced and directed by an all-female team, like Verena [Gräfe-Höft ] and I. I am a member of the women's networks Pro Quote Film and Women in Film and Television. I think Pro Quote in particular helped a lot to improve our conditions in Germany in the past years. There is an awareness of discrimination against women that has emerged among those responsible in broadcasting, film promotion and politics. Nobody any longer denies discrimination against female creatives in the film and television industry. Especially in the television business, producers and editors employ women more often now. The film industry has also woken up.

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