Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPrimetime EmmysToronto Int'l Film FestivalFall TV GuideMost Anticipated This MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayTrending peopleCelebrity news
    IMDb LabsHelp centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
IMDbPro

Biography

Sidi Larbi Cherkaoui

Overview

  • Born
    1976 · Antwerp, Belgium

Mini bio

  • Sidi Larbi Cherkaoui was born in 1976 in Antwerp, Belgium. He is a director and producer, known for Pan (2015), Anna Karenina (2012) and Rebel (2022).

Trivia

  • International choreographer.

Quotes

  • [on plotting choreography for 'Anna Karenina' with his actors] I talked a lot about how to be on your feet, so that they would generate a certain elegance or energy that would go all the way to the head. I also tried to make them understand that their body language is something we are constantly reading.
  • The aristocracy would have to be operated by the servants like puppets. We explored this idea that the aristocracy were reliant on the working class - that they couldn't move without them. But we also turned it around and did it the other way, because of course the reverse was equally true.
  • I love watching one dancer alone onstage, but - for me- solos are always connected to a form of loneliness. When people are together there is a union, and it can be tense, it can be romantic and dramatic and cold, but it's about how we relate and how we look into the mirror, which is another person. There was a mirror between Vronsky and Anna. There was a mirror between Kitty and Levin. There was even a mirror between Anna and Karinen.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

You have no recently viewed pages
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2026 by IMDb.com, Inc.