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Djamel Bennecib

  • Additional Crew
  • Writer
  • Director
IMDbProStarmeterSee rank
Djamel Bennecib
Djamel Bennecib was born on 11 May 1981 in Flers, Orne, France. He is a writer and director, known for Women at War (2022), Ourika (2024) and The Break (2016).
BornMay 11, 1981
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornMay 11, 1981
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
  • Photos7

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    Known for

    Audrey Fleurot, Sofia Essaïdi, Julie De Bona, and Camille Lou in Women at War (2022)
    Women at War
    7.5
    TV Mini Series
    • Additional Crew
    Ourika (2024)
    Ourika
    6.6
    TV Series
    • Additional Crew
    The Break (2016)
    The Break
    7.6
    TV Series
    • Writer
    Gaia Girace, Valentina Bellè, and Barbara Chichiarelli in The Good Mothers (2023)
    The Good Mothers
    7.6
    TV Series
    • Additional Crew

    Credits

    IMDbPro

    Additional Crew



    • Lost in HEL
      • screenplay english translation
      • Pre-production



    • Alejandro Speitzer and Omar Chaparro in Revenge (2026)
      Revenge
      5.5
      • English dubbing adaptation
      • 2026
    • Turn of the Tide (2023)
      Turn of the Tide
      7.4
      TV Series
      • english adaptation
      • 2023–2025
    • Furia (2025)
      Furia
      6.8
      TV Series
      • English dubbing adaptation
      • 2025
    • Cho Yi-hyun and Choo Young-woo in Head Over Heels (2025)
      Head Over Heels
      7.4
      TV Series
      • English dubbing adaptation
      • 2025
    • Park Bo-gum in Good Boy (2025)
      Good Boy
      7.4
      TV Series
      • English dialogue adaptation
      • 2025
    • Lee Joo-bin, Lee Dong-wook, Lee Da-hee, and Lee Kwang-soo in The Divorce Insurance (2025)
      The Divorce Insurance
      6.5
      TV Series
      • english adaptation
      • 2025
    • Eric Elmosnino, Noémie Lvovsky, Suzy Bemba, Manu Payet, Solal Bouloudnine, and Elsa Guedj in Reformed (2025)
      Reformed
      7.3
      TV Series
      • English dialogue adaptation
      • english dialogue adaptation
      • 2025
    • The Parisian Agency: Exclusive Properties (2020)
      The Parisian Agency: Exclusive Properties
      7.7
      TV Series
      • english adaptation
      • 2025
    • Diana Bovio and Michelle Rodríguez in We Are Golden (2024)
      We Are Golden
      6.3
      TV Series
      • english adaptation
      • 2024
    • Everything Calls for Salvation (2022)
      Everything Calls for Salvation
      7.5
      TV Series
      • english adaptation
      • 2022–2024
    • Eric Judor and Jean-Pascal Zadi in Represent (2023)
      Represent
      6.6
      TV Series
      • english adaptation
      • 2024
    • Tamar Novas and Clara Lago in Gangs of Galicia (2024)
      Gangs of Galicia
      6.4
      TV Series
      • english adaptation
      • 2024
    • Christopher Papakaliatis and Klelia Andriolatou in Maestro (2022)
      Maestro
      8.0
      TV Series
      • english adaptation
      • 2022–2024
    • Blood Free (2024)
      Blood Free
      7.1
      TV Series
      • english adaptation
      • 2024
    • Major Grom: The Game (2024)
      Major Grom: The Game
      6.2
      • english adaptation
      • 2024

    Writer



    • The King's Slayer
      • Writer
      • Completed
      • Short
      • 2025



    • Tamar Novas and Clara Lago in Gangs of Galicia (2024)
      Gangs of Galicia
      6.4
      TV Series
      • english adaptation
      • 2026
    • Alejandro Speitzer and Omar Chaparro in Revenge (2026)
      Revenge
      5.5
      • english adaptation
      • 2026
    • Lee Jung-jae, Seo Ji-hye, Kim Ji-hoon, and Lim Ji-yeon in Nice to Not Meet You (2025)
      Nice to Not Meet You
      6.8
      TV Mini Series
      • english adaptation
      • 2025
    • Erol Babaoğlu, Serra Aritürk, Diren Polatogullari, and Aytaç Sasmaz in The Graft (2025)
      The Graft
      6.4
      TV Series
      • english adaptation
      • 2025
    • Secrets of the Silent Witch (2025)
      Secrets of the Silent Witch
      7.6
      TV Series
      • adr script writer
      • 2025
    • Luis Zahera and Lucía Caraballo in Old Dog, New Tricks (2025)
      Old Dog, New Tricks
      7.0
      TV Series
      • english adaptation
      • 2025
    • Hina Tachibana and Yûya Hirose in Ubel Blatt (2024)
      Ubel Blatt
      5.8
      TV Series
      • adr script writer
      • 2024–2025
    • Park Bo-young and Choi Woo-sik in Melo Movie (2025)
      Melo Movie
      7.2
      TV Series
      • english adaptation
      • 2025
    • I Am Ilary (2025)
      I Am Ilary
      4.4
      TV Series
      • english adaptation
      • 2025
    • Hound's Hill (2025)
      Hound's Hill
      5.9
      TV Mini Series
      • english adaptation
      • 2025
    • Christopher Papakaliatis and Klelia Andriolatou in Maestro (2022)
      Maestro
      8.0
      TV Series
      • english adaptation
      • 2024
    • Asaf (2024)
      Asaf
      5.8
      TV Series
      • english adaptation
      • 2024
    • Gangnam B-Side (2024)
      Gangnam B-Side
      7.1
      TV Mini Series
      • english adaptation
      • 2024
    • Go Ahead, Brother (2024)
      Go Ahead, Brother
      7.0
      TV Series
      • english adaptation
      • 2024
    • Patrick Congo, Wendy Queiroz, Samuel Silva, and Andrei Marques in Children of the Church Steps (2024)
      Children of the Church Steps
      7.0
      TV Mini Series
      • english adaptation
      • 2024

    Director



    • The King's Slayer
      • directed by
      • Completed
      • Short
      • 2025



    • For the Love of Hate (2019)
      For the Love of Hate
      Short
      • directed by
      • 2019
    • The Viking
      Short
      • Director
      • 2013
    • L'Oracle d'Eléa
      Short
      • Director
      • 2011
    • P.S. Je te hais
      8.5
      Short
      • Director
      • 2011
    • Garikayi Mutambirwa, Nathan Marlow, Sherry Romito, Kara Chaput, and Dan Shirey in The Great L.A. Pretenders (2008)
      The Great L.A. Pretenders
      TV Series
      • series director
      • Director
      • 2008
    • Seized
      Short
      • Director
      • 2008
    • The Magic Yarmulka
      Short
      • Director
      • 2007
    • So Far, So Good
      Short
      • Director
      • 2006
    • Twist of Fate
      Short
      • Director
      • 2005
    • Un aperçu du bonheur
      Short
      • Director
      • 2003

    • In-development projects at IMDbPro

    Personal details

    • Official site
      • Official Site
    • Alternative names
      • Djamel BenNecib
    • Height
      • 5′ 9¾″ (1.77 m)
    • Born
      • May 11, 1981
      • Flers, Orne, France

    Did you know

    • Trivia
      His favorite movies are Jaws (1975) and The Shawshank Redemption (1994). Jaws (1975) is the movie that inspired him to become a director.
    • Quotes
      "Lost" is by far, the best show I've seen in the past 20 years... and it's actually a weird, offhanded influence in the way I've developed "The Great L.A. Pretenders" because we see characters interacting in such a way as if Hollywood were an island. For them, there is only this dream of Hollywood, and they will stop at nothing to realize it. Of course my technique in the way I choose to shoot it is always as cinematic as possible, like "Lost," you will see in webisode 4 which is called 'Drunk', I used an extreme close-up of Sherman's eye. If you pay attention to "Lost", almost every episode uses this close-up to focus the story line from an ensemble piece to one individual for that specific episode. For me...it is important to know my influences and pay respects to them, but at the same time, try to make them my own. But I cannot help that I love "Lost" immensely and many other great films like "Goodfellas" and Scorsese films in general. Everyone steals from everyone, but as long as it is polite stealing, it is flattering as opposed to pissing off the creators. About the wry, offbeat dialogue of "The Great L.A. Pretenders" you're talking about, if I had some American writing my show, we would miss a lot of the charm in my Raymond Queneau-esque perspective on life. So in this sense, we choose style over correctness. I mean, polite stealing is funny, no?

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