This film is a miniature of a complex social structure and intelligently put women in a very crucial position in the social structure. In photographing the life of the main character, Nagima chose not to rely on affection, especially melancholia, which has been the stereotype of female characters. Instead, Nagima it bravely take another strategy, namely the incriminating focus on social structures that affect women so that it is no longer sterile, relevant, always in the middle of the crisis, but also dare to take a stand. The things that made us decide that Nagima deserve to receive the Golden Hanoman in Jogja-Netpac Asian Film Festival 2014.
