Quentin Boniface
- Music Department
- Talent Agent
- Production Department
During his 20-year career, Quentin Boniface has gained unique experience in music for film and TV productions.
Quentin took his first step into the music business in the mid-2000s, right after graduating from ESSEC Business School and Sciences Po (Paris), when he joined the A&R department of the French label Naive (now part of Believe).
After working with the animation studio Alphanim, where he implemented a music publishing strategy, Quentin joined the oldest film studio in the world, Gaumont, in 2008. There, he founded and led the in-house music department for the next 10 years, managing all aspects of music for the major French studio. His time there was spent in both France and Los Angeles and included music supervision, music publishing administration, and label activities. While at Gaumont, Quentin worked on over 50 projects, including international productions (Narcos, Hannibal, The Neon Demon), French feature films (Intouchables), TV series (Nox), and animations (Leap!, Calimero).
In 2018, he established an agency for film and TV music composers called Grande Ourse, representing major French talents, including the IFMCA and WSA nominee Mathieu Lamboley (Lupin, Minuscule 2), two César-awarded composers, Rebotini and Rone, and the LA-based composer Guillaume Roussel (Disney's Black Beauty, Trois Mousquetaires).
In 2020, he launched 440Hz, a company offering music services for film and TV producers, including music supervision (featuring Mama K's team 4), music production (including Lupin), music publishing administration (over 70 clients), and label activities (with over 20 releases per year).
From 2022 to 2025, Quentin joined Netflix as Director of Music Creative and Production for EMEA (Europe, Middle East, and Africa), supervising music on more than 500 Netflix productions in the region (films, series, and nonfiction), including Alain Chabat's Asterix: Le Combat des Chefs and four European versions of the talent show Rhythm + Flow.
In 2025, he returned to head Grande Ourse and accompanied Camille to the Oscars for Emilia Perez. He then transformed the agency by giving it an international direction, representing 12 talents from 11 nationalities, as revealed by Variety in November 2025.
Quentin took his first step into the music business in the mid-2000s, right after graduating from ESSEC Business School and Sciences Po (Paris), when he joined the A&R department of the French label Naive (now part of Believe).
After working with the animation studio Alphanim, where he implemented a music publishing strategy, Quentin joined the oldest film studio in the world, Gaumont, in 2008. There, he founded and led the in-house music department for the next 10 years, managing all aspects of music for the major French studio. His time there was spent in both France and Los Angeles and included music supervision, music publishing administration, and label activities. While at Gaumont, Quentin worked on over 50 projects, including international productions (Narcos, Hannibal, The Neon Demon), French feature films (Intouchables), TV series (Nox), and animations (Leap!, Calimero).
In 2018, he established an agency for film and TV music composers called Grande Ourse, representing major French talents, including the IFMCA and WSA nominee Mathieu Lamboley (Lupin, Minuscule 2), two César-awarded composers, Rebotini and Rone, and the LA-based composer Guillaume Roussel (Disney's Black Beauty, Trois Mousquetaires).
In 2020, he launched 440Hz, a company offering music services for film and TV producers, including music supervision (featuring Mama K's team 4), music production (including Lupin), music publishing administration (over 70 clients), and label activities (with over 20 releases per year).
From 2022 to 2025, Quentin joined Netflix as Director of Music Creative and Production for EMEA (Europe, Middle East, and Africa), supervising music on more than 500 Netflix productions in the region (films, series, and nonfiction), including Alain Chabat's Asterix: Le Combat des Chefs and four European versions of the talent show Rhythm + Flow.
In 2025, he returned to head Grande Ourse and accompanied Camille to the Oscars for Emilia Perez. He then transformed the agency by giving it an international direction, representing 12 talents from 11 nationalities, as revealed by Variety in November 2025.
