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Alexis Petridis

  • Actor
IMDbProStarmeterSee rank
Alexis Petridis is a British journalist, head rock and pop critic for the UK newspaper The Guardian, as well as a regular contributor to the magazine GQ. In addition to his music writing for the paper, he has written a weekly column in the fashion section of The Guardian's Weekend section, as well as contributing to its "Lost in Showbiz" column.

Petridis was born in the north of England before moving to Buckinghamshire. After studying at Dr Challoner's Grammar School in Amersham, he began his writing career at the University of Cambridge writing for the student newspaper Varsity. He was the final editor of the now defunct music magazine Select.

He has won the "Record Reviews Writer of the Year" category at the Record of the Day awards eight times, every year from 2005 to 2012, as well as winning "Artist and Music Features: Writer of the year" in 2006 and "Best Music Writer" (as voted by students) in 2012.

Alexis Petridis was the ghostwriter of Elton John's autobiography Me.
BornSeptember 13, 1971
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BornSeptember 13, 1971
IMDbProStarmeterSee rank
Add photos, demo reels
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  • Known for

    Diastimikes peripeteies (2015)
    Diastimikes peripeteies
    • Actor
    • 2015
    Folk Britannia (2006)
    Folk Britannia
    7.9
    TV Series
    • Self
    The Cinema Show
    TV Series
    • Self
    God Save the Queens (2012)
    God Save the Queens
    TV Series
    • Self

    Credits

    IMDbPro

    Actor



    • Diastimikes peripeteies (2015)
      Diastimikes peripeteies
      • 2015

    Personal details

    • Alternative name
      • Alex Petridis
    • Born
      • September 13, 1971
      • Sunderland, Co. Durham, England, UK

    Did you know

    • Trivia
      A music journalist who writes for The Guardian newspaper.
    • Quotes
      While punk raged, the Brits were handing out statuettes to Cliff Richard and Shirley Bassey. At the height of acid house, they were rewarding Phil Collins, Fairground Attraction and Cliff Richard again. It's not merely being facetious to suggest that ultimately it doesn't matter who wins at the Brits. There is something weirdly transient about the awards: you would be hard pushed to find anyone who can remember who won what last year, let alone a decade ago. It's like a musical equivalent of Ski Sunday. No one watches it to see who wins, they tune in only in the hope of seeing something go disastrously wrong. When it doesn't - and it hasn't for over a decade - the Carnival of Mayhem immediately evaporates from the collective memory. (Commenting on the Brit Awards in 2007)

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