Biography

Daniele Poli is an Italian cinematographer. He was born in Terni (italy). He is member of the AIC ( Italian Association of Authors for cinematography photography ) and of IMAGO ( international federation for cinematographers). He took part to many projects in the Film Industry and in the Tv industry. Since 1988 he has collaborated with the most important Production Company and he did work with many directors. Daniele's style combines high technical skills with a strong artistic point of view. His language, which he developed during his career, takes inspiration from the work of Vittorio Storaro and that one of Janusz Kaminsky. During his career he has won many international awards.
- IMDb mini biography by: Daniele Poli

Daniele Poli is an Italian cinematographer born on February 16, 1971, in Terni. His career in the world of cinema began with a growing passion for shooting.

Over the years, Poli has worked as a cinematographer on numerous films and TV series, including Universitari - Molto più che amici (2013), Outing - Fidanzati per sbaglio (2013), Vita, cuore, battito (2016), Un pugno di amici (2020), and Un oggi alla volta (2023). The film Un oggi alla volta was an important project in which he served as the cinematographer, further solidifying his career in cinema.

He also served as the director of photography for the documentary series Viaggio nella grande bellezza for Canale 5, exploring Italy's artistic and cultural wonders with a distinctive visual style.

Poli also worked on the documentaries in Mediaset's Freedom series, hosted by Roberto Giacobbo. His cinematography in these documentaries was praised for its ability to evocatively capture complex and mysterious themes. The skilled use of light and framing emphasized the narrative, visually enriching the story and increasing the emotional impact of the subjects. The documentaries were well-received for their innovative visual approach, which helped make the stories even more fascinating and powerful.

Daniele Poli also worked as the cinematographer for the documentaries Eleonora Abbagnato: una stella che danza (produced by 11 Marzo Film) and La bussola: il collezionista di stelle (produced by Lux Vide). Both works explore strong and meaningful themes, with cinematography that emphasizes the emotionality of the protagonists and the beauty of the stories told.

He also worked on the documentary film 30 anni in un giorno about Luciano Ligabue, produced by Greenboo (Marco Belardi's film production company). This documentary celebrates the artistic journey of the famous Italian singer, capturing intimate and evocative moments from his career and life. Poli's cinematography was crucial in conveying Ligabue's energy and emotion, offering the audience an authentic and engaging visual narrative.

Daniele Poli also worked as the director of photography for the film Tutto in quella notte, produced by Filmauro in 2001. The film, directed by Franco Bertini, is a drama that explores the emotions and challenges faced by a group of people on a decisive night in their lives. Poli's cinematography was appreciated for its ability to evoke the intimate, nighttime atmosphere of the film, significantly contributing to the emotional tone and engagement of the story.

He also worked on the film Non c'è campo (2017), a comedy directed by Federico Moccia, centered on a group of young people facing their final summer in high school. Poli's cinematography supported the lighthearted and lively tone of the film, with a fresh and dynamic style that helped convey the characters' emotional growth and experiences.

Another significant project for Poli was the series Boris, for which he worked on the cinematography in the first seasons. His work on Boris was praised by both critics and audiences for its ability to bring to life the surreal and grotesque world of television production, while still respecting the reality of the settings and atmospheres. The cinematography of Boris played a crucial role in shaping the series' ironic and cynical tone, with a skilled use of light and contrast that emphasized the satire of behind-the-scenes Italian TV. Critics highlighted Poli's ability to capture the essence of a television environment with a visual approach that not only enriched the plot but also enhanced its humor and social critique.

Poli also worked on the famous No More Gray advertisement for Fiat, which won several awards, including the Grand Prix at the 2023 ADCE Awards and Gold in the Brand Experience and PR/Events categories at the 2023 ADCI Awards.

He also worked on the film Garbage Man, a project that received widespread acclaim for its cinematography, praised by both the public and critics for its ability to capture the atmosphere of the story and for the evocative use of light and color. The cinematography in Garbage Man was described as intense, visceral, and highly cinematic, playing a key role in the visual and emotional impact of the film.

In the realm of international productions, Daniele Poli worked as the cinematographer for the animated series Mia and Me, a co-production between Italy and Germany, blending live-action and 3D animation. The series, which follows the adventures of Mia, a girl who enters a fantastic world populated by unicorns and magical creatures, benefited from Poli's visual talent in creating a colorful, magical, and engaging atmosphere, much appreciated by younger audiences.

His talent also extended to successful TV series such as Boris for Sky. He is a member of the Italian Association of Cinematographic Photography Authors (AIC) and has participated in courses organized by the Umbria Film Commission, where he has also been involved in educational activities.

His career is distinguished by a constant commitment to artistic research, making him one of the most sought-after and respected cinematographers in the Italian film and television industry.
- IMDb mini biography by: DP