- Chip Street is a screenwriter, story consultant, novelist, and filmmaker. His work has been called "Compelling, terrifying, disturbing, beautifully written ... Touching, unique, wonderful and inventive."
His family screenplay "Rocket Summer" sold and is in development; The novelization is available on all platforms. Two scripts co-written with Sean Meehan, a horror feature ("Faeries") and a family script ("Grampa Was A Superhero") have been optioned. He has a number of consultative or co-writing credits on features, shorts, and radio programs.
Chip's articles on screenwriting have been cited, referenced, or quoted by Script Magazine, the BlueCat Newsletter, IndieWire, JohnAugust.com, Bleeding Cool, ScriptTips, Scriptchat, Wikipedia, Script Outline, and No Film School. In addition to screenwriting, he's worked as a production designer, art director, producer, director, or prop builder on 12 features, 9 shorts, and 2 children's television series.
He's worked on projects with Louise Fletcher, Cicely Tyson, Julie Brown, David Arquette, Josh Hutcherson, Lauren Bacall, Alfred Molina, and Hayden Panettiere.
He is also a screenplay contest judge, festival screener, and founder of Write Club Challenge.
- IMDb mini biography by: Anonymous
- I want to understand what this screenplay needs to do not just to get the story across, but what's wrong with it from a format standpoint, a structure standpoint, that affects the rest of the filmmaking process. When you have to take your script, and then figure out how to storyboard from that, and then figure out how to block it, how to set up the lights, and how to turn what you saw in your head into a production that a bunch of other people are also involved in, a collaborative process, you suddenly realize how much responsibility the script has to make that process doable.
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