Alex Berman(I)
- Color Department
- Editorial Department
- Visual Effects
Berman brings years of experience in color grading and credits across feature films, episodic television, documentaries and commercials. His recent work includes Hitler and the Nazis: Evil on Trial for Netflix and Director Joe Berlinger, "Cat Person" for Studio Canal, and Director Susanna Fogel, "It Ain't Over" a sports documentary about Yogi Berra for Sony Pictures Classics and Director Sean Mullin, The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA, Washington, and executive producer Ken Burns, and Hip Hop: The Songs That Shook America for AMC and producers Ahmir "Questlove" Thompson and Tarik "Black Thought" Trotter. He has also graded advertising campaigns for Ralph Lauren, USAA, United Healthcare, Pampers, Walmart, Kinder Chocolate and other national brands.
Besides his broadcast credits he has recently completed the 30th Anniversary 4K Re-Mastering of Robert Deniro's "A Bronx Tale" which was presented on the gala final night of last years Tribeca Film Festival. In years past Berman showed his artistic range by performing Re-Mastering for HBO, Miramax, and The Criterion Collection for iconic features such as Michelangelo Antonioni's first color film, "Red Desert", and Roberto Rosselini's "The War Trilogy". While a Senior Colorist at Prime Focus Technologies, formerly Post Logic Studios, Alex had the opportunity to return to Los Angeles to remaster the comedic classic, "The Three Amigos", for Director Jon Landis.
In this period Berman also was able to visit Seoul, Korea and convene with the top Senior Colorists of South Korea where he was invited to teach the Pogle Revolution, a color grading system manufactured by Pandora International in the UK. A jaunt to work in London was brought about by Alex's Archival Film transfer work for HBO. Later as a freelancer in New York City Berman colored all seasons of Anthony Bourdain's "Raw Craft" web series, which were directed by Rob Meyer and shot by Daniel Vecchione. A graduate of the film school at Emerson College, Boston, Mass, Alex moved to Hollywood to begin his career at The Post Group where he started learning his trade from the industries elite. Then a promotion to Encore Hollywood and eventually a return to his native New York to accept a colorist position at The Tape House Editorial doing everything from commercial dailies, music videos, Miramax Films, and art-house shorts by the likes of Yoko Ono and countless other independent filmmakers in the New York scene.
Besides his broadcast credits he has recently completed the 30th Anniversary 4K Re-Mastering of Robert Deniro's "A Bronx Tale" which was presented on the gala final night of last years Tribeca Film Festival. In years past Berman showed his artistic range by performing Re-Mastering for HBO, Miramax, and The Criterion Collection for iconic features such as Michelangelo Antonioni's first color film, "Red Desert", and Roberto Rosselini's "The War Trilogy". While a Senior Colorist at Prime Focus Technologies, formerly Post Logic Studios, Alex had the opportunity to return to Los Angeles to remaster the comedic classic, "The Three Amigos", for Director Jon Landis.
In this period Berman also was able to visit Seoul, Korea and convene with the top Senior Colorists of South Korea where he was invited to teach the Pogle Revolution, a color grading system manufactured by Pandora International in the UK. A jaunt to work in London was brought about by Alex's Archival Film transfer work for HBO. Later as a freelancer in New York City Berman colored all seasons of Anthony Bourdain's "Raw Craft" web series, which were directed by Rob Meyer and shot by Daniel Vecchione. A graduate of the film school at Emerson College, Boston, Mass, Alex moved to Hollywood to begin his career at The Post Group where he started learning his trade from the industries elite. Then a promotion to Encore Hollywood and eventually a return to his native New York to accept a colorist position at The Tape House Editorial doing everything from commercial dailies, music videos, Miramax Films, and art-house shorts by the likes of Yoko Ono and countless other independent filmmakers in the New York scene.
