Kirsten Lane(II)
- Music Department
- Soundtrack
Kirsten is one of the UK's leading music supervisors, having worked on over 100 major films and numerous TV programs for many of the top studios including Universal Pictures, Paramount, Sony Pictures, Netflix, Amazon Studios, Apple TV, Studio Canal, NBC Universal, BBC, STV, Channel 4, as well as top UK production companies including Working Title Films, Tempo Productions and 72 Productions.
Her expertise lies in music supervision, negotiation, clearances and licensing for Film & TV. Examples of her work include the BAFTA Award Winners ‘I Swear’ and ‘Baby Driver’, BAFTA nominated ‘Saltburn’ (for which she was nominated for a Grammy), 100% Rotten Tomatoes rated Apple TV documentary series ‘Vietnam: The War That Changed America’, as well as the recent launch of Saturday Night Live UK.
She started working in Film and TV back in 1995, helping to establish the first ever dedicated Film & TV Department of any record label at what was then PolyGram Records. Moving on to PolyGram Filmed Entertainment where she worked on classics such as "Notting Hill". Following that she set up and headed up the Film & TV department at Sony/ATV Music Publishing before striking out on her own with Right Music Ltd in 2001.
She loves the excitement and buzz of working closely with Writers, Directors and Producers to achieve the best possible soundtrack, from script to screen.
Her expertise lies in music supervision, negotiation, clearances and licensing for Film & TV. Examples of her work include the BAFTA Award Winners ‘I Swear’ and ‘Baby Driver’, BAFTA nominated ‘Saltburn’ (for which she was nominated for a Grammy), 100% Rotten Tomatoes rated Apple TV documentary series ‘Vietnam: The War That Changed America’, as well as the recent launch of Saturday Night Live UK.
She started working in Film and TV back in 1995, helping to establish the first ever dedicated Film & TV Department of any record label at what was then PolyGram Records. Moving on to PolyGram Filmed Entertainment where she worked on classics such as "Notting Hill". Following that she set up and headed up the Film & TV department at Sony/ATV Music Publishing before striking out on her own with Right Music Ltd in 2001.
She loves the excitement and buzz of working closely with Writers, Directors and Producers to achieve the best possible soundtrack, from script to screen.
