David J. Harrison(III)
- Editor
David J. Harrison, Ph.D., is a four-time Telly Award-winning narrative film editor and cinematographer specializing in non-fiction storytelling and archival synthesis. Since 2012, he has focused on the architecture of reality-based content, serving as a lead editor for streaming television series, award-winning documentaries, and government-funded media projects.
A DaVinci Resolve Certified User, David’s editorial approach is defined by a hybrid workflow that integrates traditional narrative structure with emerging AI-assisted technologies. His work on the documentary series We Were the Future earned top industry honors at the 2026 Telly Awards, including Gold and Silver trophies for Craft: Editing. His portfolio, which also includes the series Real Cowboys and the documentary Gold, Gusts, and God, reflects a commitment to stylistic, high-impact visual editing that prioritizes emotional resonance and historical accuracy.
David’s background as a researcher and author, holding a Ph.D. in Instructional Design & Technology from Old Dominion University, informs his meticulous approach to pacing, historical context, and curriculum-based media. His work has been recognized internationally, including a Gold Remi Award at the WorldFest Houston International Film Festival, a nomination at Mirabile Dictu in Rome, and official selection at the Cordillera International Film Festival.
A DaVinci Resolve Certified User, David’s editorial approach is defined by a hybrid workflow that integrates traditional narrative structure with emerging AI-assisted technologies. His work on the documentary series We Were the Future earned top industry honors at the 2026 Telly Awards, including Gold and Silver trophies for Craft: Editing. His portfolio, which also includes the series Real Cowboys and the documentary Gold, Gusts, and God, reflects a commitment to stylistic, high-impact visual editing that prioritizes emotional resonance and historical accuracy.
David’s background as a researcher and author, holding a Ph.D. in Instructional Design & Technology from Old Dominion University, informs his meticulous approach to pacing, historical context, and curriculum-based media. His work has been recognized internationally, including a Gold Remi Award at the WorldFest Houston International Film Festival, a nomination at Mirabile Dictu in Rome, and official selection at the Cordillera International Film Festival.
