Edgar M. Sampson(1907-1973)

American jazz musician, nicknamed 'the Lamb', born Edgar Melvin Sampson. A childhood prodigy, Sampson was already an accomplished violinist by the age of six. After leading his own high school band he moved on to become a sideman with New York-based orchestras in the 1920's, alternating on violin and alto sax. This included a season with Duke Ellington at the Kentucky Club and another with the lesser-known Arthur Gibbs outfit at the Savoy Ballroom. Between 1931 and 1932, Sampson worked with Fletcher Henderson's organisation before joining the drummer Chick Webb (1934-36). It was during this time, that he first began composing a number of rhythmic standards which essentially define the term 'swing'. From July 1936, Sampson concentrated on free-lance arranging for some of the biggest names in the business, including Artie Shaw, Benny Goodman, Teddy Wilson and Red Norvo. In November 1939, he took over the reigns as musical director of Ella Fitzgerald's band, following the untimely demise of Chick Webb. He resumed playing (mostly on tenor or baritone sax) during the late 40's, briefly fronted his own orchestra (1949-51), subsequently leading smaller groups. Sampson also continued to write arrangements, notably for Latin leaders Tito Puente and Tito Rodriguez. A severe illness, which necessitated the amputation of a leg, brought an end to his career in the late 1960's.

Among Edgar Sampson's catalogue of top hits are "Stompin' at the Savoy" (1934), "If Dreams Come True" (1934), "Dark Rapture" (1938), "Lullaby in Rhythm" (1938), "Blue Lou" (1933) and Benny Goodman's theme "Don't Be That Way" (1934).