Stephen Clark(V)
- Sound Department
- Executive
Stephen Clark is a Re-Recording Engineer based in Los Angeles, providing post production audio services from his personal facilities, as well as on-site at commercial facilities, ad agencies and production companies.
With over 20 years of experience in Hollywood post production sound, he has collaborated creatively with wonderfully talented people, mixing for the worlds largest content creators, on a wide variety of projects. As a tech geek, he's always on technologies leading edge, using the newest software, and learning new gear with lots of buttons and lights!
From location recordist in 1992, to Power Rangers Sound Designer 1994-1996, in 1997 Clark started Pacific Soundwaves as a home studio with Sabrina The Teenage Witch as a first client. Within a year, the studio moved into commercial space with a video facility to handle ABC Daytime promotions. As studios were added each year, so Clark added new specialty skills such as mixing in 5.1 surround sound, knowing how to adjust a mix for playback on various mediums and listening environments (theatre vs TV vs Web), and mastering the new amazing tools for noise reduction and restoration.
He enjoys the ever evolving challenges in mixing sound for TV, Film and the Web. These often include broadcast technologies, formats, standards and practices, creative tools and varying projects. Rest assured, no delivery specs are too daunting.
Mostly... he just loves to be creative.
A voting member of CAS, The Cinema Audio Society
With over 20 years of experience in Hollywood post production sound, he has collaborated creatively with wonderfully talented people, mixing for the worlds largest content creators, on a wide variety of projects. As a tech geek, he's always on technologies leading edge, using the newest software, and learning new gear with lots of buttons and lights!
From location recordist in 1992, to Power Rangers Sound Designer 1994-1996, in 1997 Clark started Pacific Soundwaves as a home studio with Sabrina The Teenage Witch as a first client. Within a year, the studio moved into commercial space with a video facility to handle ABC Daytime promotions. As studios were added each year, so Clark added new specialty skills such as mixing in 5.1 surround sound, knowing how to adjust a mix for playback on various mediums and listening environments (theatre vs TV vs Web), and mastering the new amazing tools for noise reduction and restoration.
He enjoys the ever evolving challenges in mixing sound for TV, Film and the Web. These often include broadcast technologies, formats, standards and practices, creative tools and varying projects. Rest assured, no delivery specs are too daunting.
Mostly... he just loves to be creative.
A voting member of CAS, The Cinema Audio Society
