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Biography
Trivia
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Carrie Thiel
Intimacy Coordinator
Visual Effects
Stunts
IMDbPro
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Carrie Thiel is known for
Deep Rising (1998)
,
Kingdom of Heaven (2005)
and
Superman Returns (2006)
.
More at IMDbPro
Contact info
Agent info
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Known for
Deep Rising
6.1
Stunts
1998
Kingdom of Heaven
7.3
Special Effects
2005
Superman Returns
6.1
Visual Effects
2006
The Lord of the Rings: The Fellowship of the Ring
8.9
Visual Effects
2001
Credits
Edit
Intimacy Coordination
6
Visual Effects
6
Stunts
3
Special Effects
2
Producer
1
Actress
1
Choreography
1
Self
4
IMDbPro
Expand below
All credits
Intimacy Coordination
Previous
6
Fine Salmon Is A Sure Sign of Living
Short
intimacy coordinator
2026
A Very Good Boy
Short
intimacy coordinator
2025
Milk of Dreams
4.8
Short
intimacy coordinator
2024
After the Party
7.5
TV Series
intimacy coordinator
2023
6 episodes
Bad Behaviour
4.3
intimacy coordinator
2023
Cowboy Bebop
6.7
TV Series
intimacy coordinator
2021
3 episodes
Visual Effects
Previous
6
Superman Returns
6.1
visual effects: Rising Sun Pictures
2006
The Promise
5.6
massive motion tree consultant: Centro Digital Pictures
2005
Alexander
5.6
motion capture technical director: MPC
2004
The Lord of the Rings: The Return of the King
9.0
visual effects mocap combat choreographer: Weta Digital
2003
The Lord of the Rings: The Two Towers
8.8
visual effects mocap combat choreographer: Weta Digital
2002
The Lord of the Rings: The Fellowship of the Ring
8.9
motion tree designer: Weta Digital
2001
Stunts
Previous
3
The Mary Alice Brandon File
7.5
Short
consultant: movement
2015
The Secret Adventures of Jules Verne
6.9
TV Series
stunt double: Francesca Hunt
stunts
2000
1 episode
Deep Rising
6.1
stunts
1998
Personal details
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Height
5′ 6½″ (1.69 m)
Other works
Has taught workshops in motion capture work, weapons, and stunts.
Publicity listings
2 Articles
Did you know
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Trivia
Member of the Weta Digital effects team that won 3 Oscars and 2 Baftas for their work on 'The Lord of the Rings' trilogy.
Quotes
We didn't have the luxury of big sets and costumes in mocap, so we would have to create the scenery and circumstances in our heads, fighting imaginary enemies and reacting to imaginary blows and threats.
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