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Joseph C. Wright(1892-1985)

  • Art Director
  • Art Department
  • Music Department
IMDbProStarmeterSee rank
Joseph C. Wright was born on 19 August 1892 in Chicago, Illinois, USA. He was an art director, known for Gentlemen Prefer Blondes (1953), My Gal Sal (1942) and Guys and Dolls (1955). He died on 24 February 1985 in Oceanside, California, USA.
BornAugust 19, 1892
DiedFebruary 24, 1985(92)
BornAugust 19, 1892
DiedFebruary 24, 1985(92)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Won 2 Oscars
    • 2 wins & 10 nominations total

Known for

Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes (1953)
Gentlemen Prefer Blondes
7.1
  • Art Director
  • 1953
Rita Hayworth, Victor Mature, and Carole Landis in My Gal Sal (1942)
My Gal Sal
6.1
  • Art Director
  • 1942
Marlon Brando, Frank Sinatra, Jean Simmons, and Vivian Blaine in Guys and Dolls (1955)
Guys and Dolls
7.1
  • Art Director(as Joseph Wright)
  • 1955
Joan Fontaine and Tyrone Power in This Above All (1942)
This Above All
6.6
  • Art Director
  • 1942

Credits

IMDbPro

Art Director



  • Dean Martin in The Wrecking Crew (1968)
    The Wrecking Crew
    5.5
    • Art Director (as Joe Wright)
    • 1968
  • The Ambushers (1967)
    The Ambushers
    5.3
    • Art Director (as Joe Wright)
    • 1967
  • Ann-Margret and Dean Martin in Murderers' Row (1966)
    Murderers' Row
    5.8
    • Art Director (as Joe Wright)
    • 1966
  • Dean Martin in The Silencers (1966)
    The Silencers
    5.9
    • Art Director (as Joe Wright)
    • 1966
  • Strange Bedfellows (1965)
    Strange Bedfellows
    6.2
    • Art Director (as Joseph Wright)
    • 1965
  • Glenn Ford and Geraldine Page in Dear Heart (1964)
    Dear Heart
    7.2
    • Art Director
    • 1964
  • Jack Lemmon and Lee Remick in Days of Wine and Roses (1962)
    Days of Wine and Roses
    7.8
    • Art Director (as Joseph Wright)
    • 1962
  • Nancy Kwan and Miyoshi Umeki in Flower Drum Song (1961)
    Flower Drum Song
    6.9
    • Art Director (as Joseph Wright)
    • 1961
  • Jon Provost, Tommy Rettig, and Lassie the Dog in Lassie (1954)
    Lassie
    6.6
    TV Series
    • Art Director (as Joe Wright)
    • 1960
  • Sidney Poitier, Sammy Davis Jr., and Dorothy Dandridge in Porgy and Bess (1959)
    Porgy and Bess
    6.9
    • Art Director
    • 1959
  • The Strange One (1957)
    The Strange One
    6.9
    • Art Director
    • 1957
  • Marlon Brando, Frank Sinatra, Jean Simmons, and Vivian Blaine in Guys and Dolls (1955)
    Guys and Dolls
    7.1
    • Art Director (as Joseph Wright)
    • 1955
  • Shirley Jones and Gordon MacRae in Oklahoma! (1955)
    Oklahoma!
    7.0
    • Art Director (as Joseph Wright)
    • 1955
  • Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes (1953)
    Gentlemen Prefer Blondes
    7.1
    • Art Director
    • 1953
  • The Girl Next Door (1953)
    The Girl Next Door
    6.4
    • Art Director
    • 1953

Art Department



  • Betty Grable and Dale Robertson in The Farmer Takes a Wife (1953)
    The Farmer Takes a Wife
    5.3
    • art director: musical settings
    • 1953
  • Mitzi Gaynor, Bob Graham, Oscar Levant, and David Wayne in The I Don't Care Girl (1953)
    The I Don't Care Girl
    6.2
    • art director: musical settings
    • 1953
  • Bloodhounds of Broadway (1952)
    Bloodhounds of Broadway
    6.0
    • settings: musical numbers
    • 1952
  • Dennis Day, Mitzi Gaynor, Una Merkel, and Dale Robertson in Golden Girl (1951)
    Golden Girl
    5.8
    • art director: musical settings
    • 1951
  • Gene Tierney, Danny Kaye, and Corinne Calvet in On the Riviera (1951)
    On the Riviera
    6.3
    • art director: musical settings
    • 1951
  • William Powell, Betsy Drake, and Mark Stevens in Dancing in the Dark (1949)
    Dancing in the Dark
    5.3
    • designer: musical settings
    • 1949
  • When My Baby Smiles at Me (1948)
    When My Baby Smiles at Me
    5.7
    • art director: musical settings
    • 1948
  • June Haver and Mark Stevens in I Wonder Who's Kissing Her Now (1947)
    I Wonder Who's Kissing Her Now
    6.6
    • art director: musical settings
    • 1947
  • Betty Grable, Reginald Gardiner, June Haver, Frank Latimore, John Payne, and S.Z. Sakall in The Dolly Sisters (1945)
    The Dolly Sisters
    6.2
    • art director: musical settings
    • 1945
  • Joan Bennett, Vivian Blaine, Peggy Ann Garner, and George Raft in Nob Hill (1945)
    Nob Hill
    6.3
    • set designer: musical sets
    • 1945
  • Carmen Miranda, Vivian Blaine, Michael O'Shea, and Phil Silvers in Something for the Boys (1944)
    Something for the Boys
    5.9
    • art director: musical settings
    • 1944
  • Lew Ayres and Jeanette MacDonald in Broadway Serenade (1939)
    Broadway Serenade
    5.7
    • associate art director (as Joseph Wright)
    • 1939
  • Robert Young, Eleanor Powell, Gracie Allen, and George Burns in Honolulu (1939)
    Honolulu
    6.5
    • associate art director (as Joseph Wright)
    • 1939
  • Nelson Eddy and Jeanette MacDonald in Sweethearts (1938)
    Sweethearts
    6.2
    • associate art director (as Joseph Wright)
    • 1938
  • James Stewart and Margaret Sullavan in The Shopworn Angel (1938)
    The Shopworn Angel
    6.9
    • associate art director (as Joseph Wright)
    • 1938

Music Department



  • Gene Tierney, Danny Kaye, and Corinne Calvet in On the Riviera (1951)
    On the Riviera
    6.3
    • musical settings
    • 1951
  • Cesar Romero, Sonja Henie, Woody Herman, Carole Landis, and Jack Oakie in Wintertime (1943)
    Wintertime
    6.2
    • musical sequences stage settings by (as Joseph Wright)
    • 1943

Personal details

  • Alternative names
    • Joe Wright
  • Born
    • August 19, 1892
    • Chicago, Illinois, USA
  • Died
    • February 24, 1985
    • Oceanside, California, USA
  • Publicity listings
    • 1 Article

Did you know

  • Trivia
    Under contract at MGM (1925-1926, 1934-1939); Universal (1927); Columbia (1928); Spent the bulk of his career at 20th Century Fox (1929-1933,1939-1953), primarily as art director for the studio's most prestigious colour musicals.
  • Quotes
    While living in Kyoto] When I feel I have learned what I can about the Japanese culture and people, I will move on. In the society of our time, movie-goers are world travelers and can readily spot discrepancies in the sets we create - and in widescreen processes every minute detail is magnified many times over. An art director must never stop expanding his knowledge.

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