- Born
- Died
- Birth nameKenneth Charles Williams
- Nicknames
- Ken
- Kenny
- Height5′ 6¼″ (1.68 m)
- The British comic actor Kenneth Williams was born in 1926 in a working class section of London, England, where he and his older sister Pat were raised by their parents Louisa and Charlie, who ran a hairdressing shop. At the age of 14, Williams began training as a lithographic draftsman and was later apprenticed to a cartographer. At this time, he also began to pursue his interest in acting by joining an amateur drama group. While serving in the army during World War II, Williams worked as a Royal Engineer in the Survey Section and later became an entertainer for the troops in the Combined Services Entertainments. After his release from military service in 1948, he worked in repertory theater around Britain, eventually ending up in London theater. During the 1950s, he made his name in popular revues, such as 'Share My Lettuce', 'Pieces of Eight' and 'One Over the Eight'. He also appeared with Maggie Smith in 'The Private Eye/Public Ear', Edith Evans in 'Gentle Jack' and Ingrid Bergman in 'Captain Brassbound's Conversion'. He was a good friend of the playwright Joe Orton and performed in his 'Loot' in 1967. Williams became a household name in Britain through his numerous performances in radio and television, even having his own television series The Kenneth Williams Show (1970), for a short time. Known for his snooty characterizations, his chief claim to fame is his many appearances in the British "Carry On" films, an extensive series of low-budget but immensely popular comedy films produced from the late 1950s through the late 1970s.
- IMDb mini biography by: Lyn Hammond
- ChildrenNo Children
- ParentsCharles Williams
- RelativesAlice Patricia(Half Sibling)
- Flaring nostrils & a nasal 'posh' accent
- Pulling a shocked "Ooo!" face
- Kept falling asleep while filming Carry on Nurse (1959), due to the combination of warm studio lights and acting on a bed. When director Gerald Thomas woke him up, Kenny would swear blind that he wasn't asleep. So the next time it happened, Thomas put a sign around his neck, and took a photograph. When Kenny tried to wriggle his way out of it again with protestations of not being asleep, Gerald showed him the photograph - apparently Kenny's language became very colorful.
- Williams publicly insisted that he was celibate, but in private found his homosexuality difficult for him to deal with. Was good friends with gay playwright Joe Orton and his companion Kenneth Halliwell, and performed in Orton's play "Loot" in 1965. Halliwell later murdered Orton in 1967 in a fit of rage with a hammer.
- He turned down work with Orson Welles in America because he disliked the country.
- Upon his sudden death, the coroner recorded an open verdict, saying it was possible (but unlikely) that Williams had taken an overdose of sleeping pills in addition to his regular pain killers that caused a lethal cocktail. To this day, views are still divided as to whether it was deliberate or not. On one hand, he mentioned many times in his diaries that suicide was the only option, but he always seemed to bounce back from his bouts of depression. Many seem to think that suicide is unlikely simply because he would never have entertained such ideas while his mother was alive (she was left nothing in his will, presumably because Ken was expecting to outlive her).
- He had a famously antagonistic relationship with 'Carry On' co-star Sidney James. Williams was particularly scathing and personal about James's acting ability (as revealed in his posthumously published diaries), while James found Williams's loud and attention-seeking behaviour annoying.
- "Oh, stop messing about" (catch phrase)
- Last words: "Oh, what's the bloody point?" (last entry in diary)
- The thing to do, in any circumstance, is to appear to know exactly what you are doing and at the same time convey casual doubts about the abilities of everybody else and undermine their confidence. [In 1964]
- This is very odd the way that Carry Ons are just starting to get mentioned: why are they suddenly fashionable? They're even starting to justify the bad scripts now! and talk about the classlessness of them. What hogwash! You can only call a mess a mess.
- By 6:30 pain in the back was pulsating as it's never done before; so this, plus the stomach trouble combines to torture me - oh - what's the bloody point? - KW, last item in his diary before his death of an overdose
- Carry on Emmannuelle (1978) - £5,750
- The Hound of the Baskervilles (1980) - £7,500
- Carry on Behind (1976) - £5,000
- Carry on Dick (1974) - £5,000
- Carry on Abroad (1973) - £5,000
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