Biography

Henry B. Walthall was a respected stage actor who became a favorite of pioneering film director D.W. Griffith. Born in 1878 in Alabama, Walthall was initially interested in pursuing a law career but he quit law school in 1898 to enlist in the US Army in order to fight in the Spanish-American War. Returning from the war he decided to take up an acting career instead of continuing with his education in law, so he traveled to New York City hoping to make his mark on Broadway. He debuted on the Great White Way in 1901. His friend and fellow actor James Kirkwood introduced him to Griffith, who was also a southerner and who already knew of Walthall's reputation as a stage actor. He hired Walthall to appear in his A Convict's Sacrifice (1909), the first of many films they would make together.

Shortly afterward Walthall left Biograph and Griffith for Balboa Pictures in Long Beach, CA. In 1917 he and his wife formed their own production company, but after a few films he went back to work for Griffith at Biograph. However, his career went on a downward spiral, and by the 1920s he was appearing in mostly low-budget "B" fare, with only a few side journeys into more quality "A" pictures--Tod Browning's London After Midnight (1927) among them.

The sound period rejuvenated Walthall's career somewhat. He had a distinguished bearing and his voice, unlike those of many bigger silent-screen stars, was perfectly acceptable for talkies. He appeared in such productions as John Ford's Judge Priest (1934) and Browning's The Devil-Doll (1936). He was hired by director Frank Capra to play the High Lama in Capra's production of Lost Horizon (1937), but before the film began production he died of influenza, on June 7, 1936.
- IMDb mini biography by: frankfob2@yahoo.com

[about getting the role of Holofernes in Judith of Bethulia (1914)] I hadn't expected to play Holofernes because I wasn't the type physically. I stayed away from the studio, but [director D.W. Griffith] sent for me. I said, "I can't play the part; I'm too much of a shrimp". But he had tried out a lot of actors, and finally decided that I could do the part to suit him better than anybody else could. So he found a way, just as he always did. He put me on a pedestal and put brass armor on me. I looked like a giant. I stayed up there either on my throne or on a couch all the time. I had two broadswords, and I threw those broadswords around like a giant. The only other time you saw me I was riding in a chariot across the battlefield and, of course, that made me look tall. No, Griffith never said to me, "You're too small!"