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Heitor Villa-Lobos

Biography

Heitor Villa-Lobos

Overview

  • Born
    March 5, 1887 · Rio de Janeiro, Brazil
  • Died
    November 17, 1959 · Rio de Janeiro, Brazil

Mini bio

  • He was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha." Both are important works in the classical guitar repertory.
    - IMDb mini biography by: CULTZONE Filmes

Family

  • Spouse
      Lucília Guimarães(1912 - ?) (separated)

Trivia

  • Villa-Lobos played with many local Brazilian street-music bands; he was also influenced by the cinema and Ernesto Nazareth's improvised tangos and polkas.
  • He learned to play cello, clarinet, and classical guitar.
  • In Villa-Lobos's early childhood, Brazil underwent a period of social revolution and modernisation, abolishing slavery in 1888 and overthrowing the Empire of Brazil in 1889. The changes in Brazil were reflected in its musical life: previously European music had been the dominant influence, and the courses at the Conservatório de Música were grounded in traditional counterpoint and harmony. Villa-Lobos underwent very little of this formal training. After a few abortive harmony lessons, he learnt music by illicit observation from the top of the stairs of the regular musical evenings at his house arranged by his father.
  • In 1957, he wrote a Seventeenth String Quartet, whose austerity of technique and emotional intensity "provide a eulogy to his craft".
  • His earliest pieces originated in guitar improvisations, for example Panqueca (Pancake) of 1900. The concert series of 1915-21 included first performances of pieces demonstrating originality and virtuosic technique. Some of these pieces are early examples of elements of importance throughout his oeuvre.

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