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IMDbPro

Virgil Thomson(1896-1989)

  • Composer
  • Music Department
  • Soundtrack
IMDbProStarmeterSee rank
Virgil Thomson
One of the driving forces, both as critic and musician, of 20th century American music, Thomson studied music at both Harvard University and elsewhere in the Boston area before moving to Paris to study with Nadia Boulanger in 1921. After spending a short time in his native land, he returned to Paris and remained there until 1940, working with many of the major composers, writers, and artists of the period, most significantly Gertrude Stein, with whom he wrote the opera "Four Saints in Three Acts" (1927-28). Upon returning to the US, Thomson became the music critic for the NY Herald-Tribune, earning himself a Pulitzer Prize in Music for his score for the film Louisiana Story (1948). Hated by many in the music world for his acerbic criticism, Thomson nevertheless won numerous accolades, including the Legion d'honneur (1947) and the Kennedy Center Honor for lifetime achievement (1983).
BornNovember 25, 1896
DiedSeptember 30, 1989(92)
BornNovember 25, 1896
DiedSeptember 30, 1989(92)
IMDbProStarmeterSee rank
  • Awards
    • 1 win total

Known for

Louisiana Story (1948)
Louisiana Story
6.4
  • Composer
  • 1948
Kim Stanley in The Goddess (1958)
The Goddess
6.5
  • Composer
  • 1958
The Day After (1983)
The Day After
7.0
TV Movie
  • Music Department
  • 1983
Panorama Ephemera (2004)
Panorama Ephemera
6.2
  • Soundtrack
  • 2004

Credits

IMDbPro

Composer



  • John Steinbeck in Un siècle d'écrivains (1995)
    Un siècle d'écrivains
    6.8
    TV Series
    • Composer
    • 2000
  • Kinsey Photographer (1980)
    Kinsey Photographer
    TV Special
    • Composer
    • 1980
  • Journey to America
    • Composer
    • 1964
  • Power Among Men
    • Composer
    • 1959
  • Kim Stanley in The Goddess (1958)
    The Goddess
    6.5
    • Composer
    • 1958
  • Max Liebman Spectaculars (1954)
    Max Liebman Spectaculars
    5.0
    TV Series
    • Composer
    • 1954
  • Omnibus (1952)
    Omnibus
    8.2
    TV Series
    • segment
    • 1953
  • Louisiana Story (1948)
    Louisiana Story
    6.4
    • Composer
    • 1948
  • Tuesday in November (1945)
    Tuesday in November
    6.1
    Short
    • Composer
    • 1945
  • The River (1938)
    The River
    6.4
    Short
    • Composer
    • 1938
  • The River (1938)
    The Plow That Broke the Plains
    6.2
    Short
    • composed by
    • 1936

Music Department



  • The Day After (1983)
    The Day After
    7.0
    TV Movie
    • music from 'The River' by
    • 1983
  • Suddenly an Eagle
    TV Movie
    • musical supervision
    • 1976
  • Harvest (1967)
    Harvest
    6.7
    Short
    • pre-recorded music
    • 1967
  • Kim Stanley in The Goddess (1958)
    The Goddess
    6.5
    • conductor
    • 1958
  • The Seven Lively Arts (1957)
    The Seven Lively Arts
    5.2
    TV Series
    • musical director
    • 1957
  • Omnibus (1952)
    Omnibus
    8.2
    TV Series
    • conductor (segment)
    • 1953
  • The Spanish Earth (1937)
    The Spanish Earth
    6.5
    • music arranger
    • 1937

Soundtrack



  • Panorama Ephemera (2004)
    Panorama Ephemera
    6.2
    • writer: "Excerpts from 'Tuesdays in November'"
    • 2004
  • The Day After (1983)
    The Day After
    7.0
    TV Movie
    • Soundtrack ("Music from 'The River'")
    • 1983

Personal details

  • Official site
    • The Virgil Thomson Foundation
  • Born
    • November 25, 1896
    • Kansas City, Missouri, USA
  • Died
    • September 30, 1989
    • New York City, New York, USA
  • Other works
    (book) "The State of Music" (1961)
  • Publicity listings
    • 1 Print Biography

Did you know

  • Trivia
    Was one of the famous artistic habitues who resided at New York's legendary Chelsea Hotel, where documentary-film pioneer Robert Flaherty - whose Louisiana Story (1948) Thomson scored - also kept an office.
  • Quotes
    [on 'Porgy and Bess'] A libretto that should never have been accepted on a subject that should never have been chosen [by] a man who should never have attempted it.. Folklore subjects recounted by an outsider are only valid as long as the folk in question is unable to speak for itself, which is certainly not true of the American Negro in 1935.

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