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Walter Salles at an event for The Motorcycle Diaries (2004)

Biography

Walter Salles

Overview

  • Born
    April 12, 1956 · Rio de Janeiro, Rio de Janeiro, Brazil
  • Birth name
    Walther Moreira Salles Jr.
  • Nickname
    • Waltinho
  • Height
    5′ 10½″ (1.79 m)

Mini bio

  • Walter Salles was born on April 12, 1956 in Rio de Janeiro, Rio de Janeiro, Brazil. He is a director and producer, known for Central Station (1998), The Motorcycle Diaries (2004) and I'm Still Here (2024). He has been married to Maria Klabin since 2004. They have one child.

Family

  • Spouse
      Maria Klabin(2004 - present) (1 child)

Trivia

  • Directed two Oscar nominated performances: Fernanda Montenegro and Fernanda Torres, mother and daughter, respectively.
  • Speaks Portuguese, Spanish, English and French fluently.
  • After studying economics at the Pontificia Universidade Católica in Rio de Janeiro, he went to the University of California, where he graduated with a degree in audiovisual communication.
  • Along with Glauber Rocha, Carlos Diegues and Nelson Pereira dos Santos is one of four Brazilian directors to had three of their movies selected to the Palme D'or at the Cannes Film Festival.
  • Member of the jury at the Berlin International Film Festival in 2000.

Quotes

  • I don't think we can say what the Latin American identity is, but I think we can try to look for it, and look for the reverberations from it.
  • I'm completely uninterested in what you may call a career in film-making. I'm much more interested in living specific experiences in films.
  • You have to be careful not to open all the windows and be totally free and unprepared, but you have to try to capture reality as it happens. You see that very much in a refined and yet very simple form in [Abbas] Kiarostami's films, and I'm so impressed by the immediacy and the truth that you find in his films that it just transports you to a completely different level, as if nothing is truly staged.
  • I come from a country and also a continent whose identity is in the making. We're a very young culture, and I think that things are not yet crystallised. So the films that are made in our latitudes, I think, carry that sense of urgency. It's as if the people that you meet on the street and the stories that they bring can influence you directly.
  • I think I turned to documentary film-making very early on as a way to know a little bit more about my country and my roots. My father was a diplomat for part of his life and I jumped from country to country and culture to culture. So when I was very young, I longed for Brazil. I really wanted to know the heart of it much better than I did.

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