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IMDbPro

Edgar Reitz

  • Director
  • Writer
  • Producer
IMDbProStarmeterSee rank
Edgar Reitz
Watch Trailer [OV]
Play trailer1:39
800 Mal Einsam - ein Tag mit dem Filmemacher Edgar Reitz (2019)
1 Video
4 Photos
Studied theatre science, German philology, art history, and publicism in Munich. Published some poems and short stories during early 1950s, co-edited the literature magazine "Spuren". In 1952, he took acting lessons, co-founded a student theatre which became established as the university's studio stage in 1954. He assisted (camera, editing, production) in several films during mid-50ies, became script adviser in the educational film production company 'Gesellschaft fur bildende Filme (GBF)' in 1957. He started directing his own short documentaries, industrial films, and short films in 1959. In the same year, Edgar Reitz, Herbert Vesely, Haro Senft, Raimund Ruehl, and Franz-Josef Spieker founded 'Doc 59' aka 'Münchener Gruppe' which prepared the 'Oberhausener Manifest' of 1962. From 1962-65, Reitz directed a department at the 'Insel-Film' production company. In 1963, Edgar Reitz and Alexander Kluge initiated the foundation of the film department at 'Hochschule fur Gestaltung' (College for Design) in Ulm. Reitz' first feature, Table for Love (1967), is among the many debuts in the aftermath of the Oberhausener Manifest which shaped the term 'New German Cinema'.
BornNovember 1, 1932
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornNovember 1, 1932
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
    • Awards
      • 28 wins & 10 nominations total

    Photos3

    View Poster
    View Poster
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    Known for

    Jan Dieter Schneider in Home from Home: Chronicle of a Vision (2013)
    Home from Home: Chronicle of a Vision
    7.9
    • Director
    • 2013
    Heimat 2: Chronicle of a Generation (1992)
    Heimat 2: Chronicle of a Generation
    8.9
    TV Mini Series
    • Director
    In Gefahr und größter Not bringt der Mittelweg den Tod (1974)
    In Gefahr und größter Not bringt der Mittelweg den Tod
    6.4
    • Director
    • 1974
    Table for Love (1967)
    Table for Love
    6.9
    • Director
    • 1967

    Credits

    IMDbPro

    Director



    • Matthias Grunsky, Edgar Reitz, Edgar Selge, Barbara Sukowa, Ingo Fliess, Lars Eidinger, Aenne Schwarz, and Antonia Bill in Leibniz - Chronicle of a Lost Painting (2025)
      Leibniz - Chronicle of a Lost Painting
      7.1
      • Director
      • 2025
    • Filmstunde_23 (2024)
      Filmstunde_23
      8.1
      • Director
      • 2024
    • Venice 70: Future Reloaded (2013)
      Venice 70: Future Reloaded
      5.6
      TV Series
      • Director (segment "Kafka geht ins Kino")
      • 2013
    • Jan Dieter Schneider in Home from Home: Chronicle of a Vision (2013)
      Home from Home: Chronicle of a Vision
      7.9
      • Director
      • 2013
    • Ortswechsel
      Short
      • Director
      • 2007
    • Heimat Fragments: The Women (2006)
      Heimat Fragments: The Women
      6.8
      • Director
      • 2006
    • Heimat 3: A Chronicle of Endings and Beginnings (2004)
      Heimat 3: A Chronicle of Endings and Beginnings
      8.1
      TV Mini Series
      • Director
      • 2004
    • Die Nacht der Regisseure (1995)
      Century of Cinema
      7.4
      TV Series
      • Director
      • 1995
    • Heimat 2: Chronicle of a Generation (1992)
      Heimat 2: Chronicle of a Generation
      8.9
      TV Mini Series
      • Director
      • 1992
    • Filmgeschichte(n). Die Stunde der Filmemacher
      TV Mini Series
      • Director
      • 1985
    • Heimat: A Chronicle of Germany (1984)
      Heimat: A Chronicle of Germany
      8.7
      TV Mini Series
      • Director
      • 1984
    • Geschichten aus den Hunsrückdörfern (1982)
      Geschichten aus den Hunsrückdörfern
      7.3
      • Director
      • 1982
    • Susanne tanzt
      6.2
      Short
      • Director
      • 1979
    • Tilo Prückner in Der Schneider von Ulm (1978)
      Der Schneider von Ulm
      6.6
      • Director
      • 1978
    • Germany in Autumn (1978)
      Germany in Autumn
      6.8
      • Director (segment "Grenzstation")
      • 1978

    Writer



    • Matthias Grunsky, Edgar Reitz, Edgar Selge, Barbara Sukowa, Ingo Fliess, Lars Eidinger, Aenne Schwarz, and Antonia Bill in Leibniz - Chronicle of a Lost Painting (2025)
      Leibniz - Chronicle of a Lost Painting
      7.1
      • Writer
      • 2025
    • Jan Dieter Schneider in Home from Home: Chronicle of a Vision (2013)
      Home from Home: Chronicle of a Vision
      7.9
      • screenplay
      • 2013
    • Ortswechsel
      Short
      • concept
      • 2007
    • Heimat Fragments: The Women (2006)
      Heimat Fragments: The Women
      6.8
      • Writer
      • 2006
    • Heimat 3: A Chronicle of Endings and Beginnings (2004)
      Heimat 3: A Chronicle of Endings and Beginnings
      8.1
      TV Mini Series
      • writer
      • 2004
    • Die Nacht der Regisseure (1995)
      Century of Cinema
      7.4
      TV Series
      • Writer
      • 1995
    • Heimat 2: Chronicle of a Generation (1992)
      Heimat 2: Chronicle of a Generation
      8.9
      TV Mini Series
      • writer
      • 1992
    • Heimat: A Chronicle of Germany (1984)
      Heimat: A Chronicle of Germany
      8.7
      TV Mini Series
      • writer
      • 1984
    • Geschichten aus den Hunsrückdörfern (1982)
      Geschichten aus den Hunsrückdörfern
      7.3
      • Writer
      • 1982
    • Susanne tanzt
      6.2
      Short
      • concept
      • 1979
    • Tilo Prückner in Der Schneider von Ulm (1978)
      Der Schneider von Ulm
      6.6
      • writer
      • 1978
    • Germany in Autumn (1978)
      Germany in Autumn
      6.8
      • writer (segment "Grenzstation")
      • 1978
    • Stunde Null (1977)
      Stunde Null
      7.0
      • Writer
      • 1977
    • In Gefahr und größter Not bringt der Mittelweg den Tod (1974)
      In Gefahr und größter Not bringt der Mittelweg den Tod
      6.4
      • Writer
      • 1974
    • Die Reise nach Wien (1973)
      Die Reise nach Wien
      6.9
      • written by
      • 1973

    Producer



    • Heimat Fragments: The Women (2006)
      Heimat Fragments: The Women
      6.8
      • producer
      • 2006
    • Entering Reality
      6.1
      Short
      • co-producer
      • 1999
    • Heimat 2: Chronicle of a Generation (1992)
      Heimat 2: Chronicle of a Generation
      8.9
      TV Mini Series
      • producer
      • 1992
    • Der Radfahrer von San Cristóbal (1988)
      Der Radfahrer von San Cristóbal
      6.5
      • producer
      • 1988
    • Das Schweigen des Dichters (1986)
      Das Schweigen des Dichters
      6.8
      • producer
      • 1986
    • Filmgeschichte(n). Die Stunde der Filmemacher
      TV Mini Series
      • producer
      • 1985
    • Heimat: A Chronicle of Germany (1984)
      Heimat: A Chronicle of Germany
      8.7
      TV Mini Series
      • producer
      • 1984
    • Geschichten aus den Hunsrückdörfern (1982)
      Geschichten aus den Hunsrückdörfern
      7.3
      • producer
      • 1982
    • Susanne tanzt
      6.2
      Short
      • producer
      • 1979
    • Tilo Prückner in Der Schneider von Ulm (1978)
      Der Schneider von Ulm
      6.6
      • producer
      • 1978
    • Altstadt - Lebensstadt
      TV Short
      • producer
      • 1977
    • 7 Jahre - 70 Jahre
      Short
      • producer
      • 1975
    • Bethanien
      Short
      • producer
      • 1975
    • Wir gehen wohnen
      Short
      • producer
      • 1975
    • Wir planen ein Picnic
      Short
      • producer
      • 1975

    Videos1

    Trailer [OV]
    Trailer 1:39
    Trailer [OV]

    Personal details

    • Official site
      • Official Site
    • Alternative name
      • Reitz
    • Born
      • November 1, 1932
      • Morbach, Bernkastel, Germany
    • Spouse
      • Salome Kammer1995 - present
    • Publicity listings
      • 1 Article

    Did you know

    • Trivia
      His father Robert was a watchmaker and his business in Morbach was later taken over by Reitz's brother Guido.
    • Quotes
      What's necessary to me is not to be at the centre of all these historical events but to be at the periphery, because the periphery is the best position for storytelling. If you're at the centre you have famous people and big events, and whatever you say, historical prejudices play a part in how your story is received. In an unimportant place I get a mirror image of the world. All the important things are there but without the cliches that you get in the media.
    • Trademarks
        The frequent switching between color and black-and-white film to convey different emotional states

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