David Pinkston
- Camera and Electrical Department
- Cinematographer
- Editor
David Pinkston has been a professional cinematographer and freelance editor since 1980. He is a Graduate of the University of Texas at Arlington with a Bachelor of Fine Arts concentrating in Cinematography and Photography. He has a Master of Fine Arts from the Vermont College of Fine Arts in the disciplines of screen writing, directing, cinematography, lighting and editing.
He is known for his work on Nut Cracker (2016), Her Unlikely Kin (2015), Steps of Faith (2014), Adventures of Bailey: A Night in Cowtown (2013), Hiding in Plain Sight (2012), Adventures of Bailey: The Lost Puppy (2010), Bail Out (2010/I) and After Sundown (2006).
His film work includes features, industrials, commercials and PSAs and has worked in all film formats from 8mm, 16mm, 35mm to 70mm IMAX. Film clients and companies include Highland Myst Entertainment, Poorchild Films, Fort Worth Museum of Science and History, City of Fort Worth, Baptist Radio and Television Commission, Laser Magic, and BlackLeaderFilms. In the early 1980's he worked with Fort Worth Productions and Univision, Inc. whose clients included Van Cliburn, KERA, Texas State Technical Institute and local clients for industrials and commercials. He has shot video for clients such as Torque Films, Glasswave Media, Studio Center, Poorchild Films, Miss Texas, Southern Drive, RosePics, Buckboard Productions, Kaelin Productions, Texas Christian University, Baptist Radio and Television Commission. Production locations have taken him to sites in Texas, Oklahoma, New Mexico, Louisiana, Mississippi, Georgia, Alabama, Florida, Chile, Argentina, Colombia.
He is known for his work on Nut Cracker (2016), Her Unlikely Kin (2015), Steps of Faith (2014), Adventures of Bailey: A Night in Cowtown (2013), Hiding in Plain Sight (2012), Adventures of Bailey: The Lost Puppy (2010), Bail Out (2010/I) and After Sundown (2006).
His film work includes features, industrials, commercials and PSAs and has worked in all film formats from 8mm, 16mm, 35mm to 70mm IMAX. Film clients and companies include Highland Myst Entertainment, Poorchild Films, Fort Worth Museum of Science and History, City of Fort Worth, Baptist Radio and Television Commission, Laser Magic, and BlackLeaderFilms. In the early 1980's he worked with Fort Worth Productions and Univision, Inc. whose clients included Van Cliburn, KERA, Texas State Technical Institute and local clients for industrials and commercials. He has shot video for clients such as Torque Films, Glasswave Media, Studio Center, Poorchild Films, Miss Texas, Southern Drive, RosePics, Buckboard Productions, Kaelin Productions, Texas Christian University, Baptist Radio and Television Commission. Production locations have taken him to sites in Texas, Oklahoma, New Mexico, Louisiana, Mississippi, Georgia, Alabama, Florida, Chile, Argentina, Colombia.
