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Grigoriy Oster

  • Writer
  • Soundtrack
IMDbProStarmeterSee rank
Grigoriy Oster
Grigoriy Oster is a Soviet Russian writer, screenwriter, playwright, TV presenter. Honored Artist of the Russian Federation (2007). The creator of the genre of "Harmful Tips" and the author of the second Russian hyper-textual novel "The Tale with Details". Member of the Public Council of the Russian Jewish Congress. Childhood and youth spent in Yalta. In 1966 he served in the Northern Fleet. In 1970 Oster entered the department of drama of the Literary Institute of Maxim Gorky in Moscow, which graduated in 1982. The author of many works for children, such as "The Tale with Details", "Papamamalogiya", "Grandma of Boa", "Harmful Tips", "Handwriting, legs, ears, back and neck". He wrote scenarios for the animated films 38 Parrots (1976), Popalsya, kotoryy kusalsya! (1983), A Kitten Named Woof (1976), Beware of the Monkeys! (1984), etc., for the feature film Until First Blood (1989). From September 2008 to July 2009, together with the singer Natalya Ionova, Oster hosted the show 'Children's pranks' at STS.
BornNovember 27, 1947
  • More at IMDbPro
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    • Agent info
    • Resume
BornNovember 27, 1947
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
  • Known for

    38 Parrots (1976)
    38 Parrots
    7.1
    TV Series
    • Writer
    Until First Blood (1989)
    Until First Blood
    7.4
    • Writer
    • 1989
    He Was Caught (1981)
    He Was Caught
    7.3
    Short
    • Writer(as G. Ostyor)
    • 1981
    Yeralash (1974)
    Yeralash
    6.4
    TV Series
    • Writer(as G. Oster)

    Credits

    IMDbPro

    Writer



    • Monkeys. Ambulance (1997)
      Monkeys. Ambulance
      6.3
      Short
      • screenplay (as G. Oster)
      • 1997
    • Monkeys in the Opera House (1995)
      Monkeys in the Opera House
      6.5
      Short
      • Writer
      • 1995
    • Yeralash (1974)
      Yeralash
      6.4
      TV Series
      • author (as G. Oster)
      • 1987–1994
    • Monkeys, Forward! (1993)
      Monkeys, Forward!
      6.8
      Short
      • Writer
      • 1993
    • 38 Parrots (1976)
      38 Parrots
      7.1
      TV Series
      • Writer
      • written by
      • screenplay (as G. Oster)
      • 1976–1991
    • Until First Blood (1989)
      Until First Blood
      7.4
      • writer
      • 1989
    • Chelovek s detskim aktsentom (1987)
      Chelovek s detskim aktsentom
      6.5
      Short
      • Writer
      • 1987
    • How Monkeys Had a Dinner (1987)
      How Monkeys Had a Dinner
      7.0
      Short
      • Writer
      • 1987
    • A Harmful Piece of Advice (1986)
      A Harmful Piece of Advice
      6.7
      Short
      • screenplay (as G. Oster)
      • 1986
    • Monkeys and the Robbers (1985)
      Monkeys and the Robbers
      6.8
      Short
      • Writer
      • 1985
    • Beware of the Monkeys! (1984)
      Beware of the Monkeys!
      6.9
      Short
      • Writer
      • 1984
    • Podzemnyy perekhod (1984)
      Podzemnyy perekhod
      7.2
      TV Short
      • Writer
      • 1984
    • Garland Made of Kids (1983)
      Garland Made of Kids
      7.0
      Short
      • Writer
      • 1983
    • Popalsya, kotoryy kusalsya! (1983)
      Popalsya, kotoryy kusalsya!
      6.9
      Short
      • Writer
      • 1983
    • How the Gosling Hunted the Fox (1982)
      How the Gosling Hunted the Fox
      6.2
      Short
      • Writer
      • 1982

    Soundtrack



    • Monkeys. Ambulance (1997)
      Monkeys. Ambulance
      6.3
      Short
      • lyrics: "V kazhdom malenkom rebyonke..."
      • 1997

    Personal details

    • Alternative names
      • G. Oster
    • Born
      • November 27, 1947
      • Odesa, Ukrainian SSR, USSR [now Odesa, Ukraine]

    Did you know

    • Trivia
      According to the observations of critics, Oster's aesthetics is distinguished by "stylistic eclecticism, subtext, quotation, play of signers, irony, parody and stylization".
    • Quotes
      I'll let you in on a secret: if you want to become a children's writer, write for yourself, the you you were as a child. If what you write appeals to that little child you were, then you've become a good children's writer. Somewhere inside every adult, like the smallest nesting doll, there always remains a child. If you can reach him and learn to communicate with him, it will be much easier not only to write, but to live in general.

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