Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

2026 Fall TV and Streaming Watch Guide

&quot;The Gentlemen&quot; and &quot;Slow Horses&quot; return this fall, while the &quot;Reacher&quot; spin-off series &quot;Neagley&quot; makes its debut. See our guide of the biggest Fall TV and streaming releases.

See who dazzled on the red carpet and took home gold at the 78th Primetime Creative Emmy Awards.

Primetime Creative Arts Emmys: Photos We Love

She was the archetypal brassy, bosomy, Brooklynesque blonde with a highly-distinctive scratchy voice. Barbara Nichols started life as Barbara Marie Nickerauer in Queens, New York on December 10, 1928, and grew up on Long Island. After graduating from Woodrow Wilson High School, she changed her reddish-brown hair to platinum-blonde and worked as a post-war model and burlesque dancer. As a beauty contestant, she won the "Miss Long Island" title as well as the dubious crowns of "Miss Dill Pickle", "Miss Mink of 1953", and "Miss Welder of 1953", and also became a GI pin-up favorite. She began to draw early attention on stage (particularly in the musical "Pal Joey") and in television drama.

Barbara found herself stealing focus in small wisecracking roles, managing at times to draw both humor and pathos from her characters--sometimes simultaneously. She seemed fated to play strippers, gold-diggers, barflies, gun molls, and other floozy types, but she made the best of her stereotypes, taking full advantage of the not-so-bad films that came her way. While most did emphasize her physical endowments, she could also be extremely funny when given a decent script. By far the best of her work came out in one year: Pal Joey (1957), Sweet Smell of Success (1957), and The Pajama Game (1957). By the decade's end, though, her film career had slowed down, and more and more she turned to television, appearing on The Beverly Hillbillies (1962), Adam-12 (1968), The Twilight Zone (1959) (the classic "Twenty-Two" episode), The Untouchables (1959), and Batman (1966), to name a few.

Barbara landed only one regular series role in her career, the very short-lived situation comedy Love That Jill (1958) starring husband-and-wife team Anne Jeffreys and Robert Sterling. Barbara played a model named "Ginger". She also co-starred on Broadway with George Gobel and Sam Levene in the musical "Let It Ride" in 1961, and played roles in a few low-budget movies, including the campy prison drama House of Women (1962) and the science-fiction film The Human Duplicators (1964), starring George Nader and Richard Kiel, who played "Jaws" in the James Bond film series.

A serious Long Island car accident in July 1957 led to the loss of her spleen, and another serious car accident in Southern California in the 1960s led to a torn liver. Complications would set in over a decade later and she was forced to slow down her career. She eventually developed a life-threatening liver disease and her health deteriorated. In summer 1976, she was taken to Cedars-Sinai Medical Center in Los Angeles, California, where she went into a coma. She awoke for a few days just before Labor Day, but sank back shortly afterward. She died at age 47 of liver failure on October 5 and was survived by her parents, George and Julia Nickerauer. She was interred at Pinelawn Memorial Park in Farmingdale, New York.

(1961) Unsold pilot: She starred in a sitcom pilot about airline hostesses called &quot;Coffee, Tea or Milk&quot;.

(1952) Stage: Appeared in &quot;Pal Joey&quot; on Broadway. Musical comedy (revival).

(1961) Stage: Appeared (as &quot;Mabel&quot;) in &quot;Let It Ride&quot; on Broadway. Musical comedy. Music/lyrics by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0515254/?ref_=nmwrk">Jay Livingston</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0263143/?ref_=nmwrk">Ray Evans</a>. Material adaption by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0320069/?ref_=nmwrk">Abram S. Ginnes</a>. Based on &quot;Three Men on a Horse&quot; by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0391514/?ref_=nmwrk">John Cecil Holm</a> and <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0007973/?ref_=nmwrk">George Abbott</a>. Musical Direction by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0085866/?ref_=nmwrk">Jay Blackton</a>. Dance arrangements by Billy Goldenberg. Choreographed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0925284/?ref_=nmwrk">Onna White</a>. Scenic Design by William Eckart and Jean Eckart. Directed by <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0695111/?ref_=nmwrk">Stanley Prager</a>. Eugene O&#39;Neill Theatre: 12 Oct 1961-9 Dec 1961 (68 performances + 1 preview on 11 Oct 1961). Cast: Francine Bond, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0163888/?ref_=nmwrk">Dort Clark</a> (as &quot;Nice Nose Brophy&quot;), Sandra Devlin, John Ford, Harold Gary, Carol Glade, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0323597/?ref_=nmwrk">George Gobel</a> (as &quot;Erwin&quot;), <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0344043/?ref_=nmwrk">Stanley Grover</a>, Ann Johnson, Sally Kirk, Sally Lee, Jack Leigh, <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0505249/?ref_=nmwrk">Sam Levene</a> (as &quot;Patsy&quot;), Albert Linville, Barbara Marcon, Rae McLean, Stanley Simmonds, Paula Stewart, Ted Thurston, Pat Turner, Sandy Walsh, Maggie Worth. Produced by Joel Spector. NOTE: George Abbott had no direct involvement with this production.

(1953) Stage: Appeared in &quot;Pal Joey&quot;, Chicago, IL.

(12/55) Stage: Appeared in &quot;Joy Ride&quot;, Huntington Hartford Theatre, Los Angeles, CA.

(1961) Stage: Appeared in &quot;Let It Ride&quot; on Broadway.

Other works

Barbara Nichols

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