Bud Myrick
- Visual Effects
- Director
- Writer
Bud Myrick is an independent Visual Effects Supervisor and has been in the visual effects industry for over 30 years. He has worked as an art director, digital effects supervisor, visual effects supervisor, and director. Most recently, Bud has been the Visual Effects Supervisor for Lucky on Apple TV, The Quest for Disney+, Mayans MC for FX and The Dropout for Hulu. Bud also recently supervised and co-directed a project for Disney Imagineering that relied heavily on Virtual Production.
As a CG Supervisor, Bud has worked on The Good Doctor, True Detective, Ozark, 13 Reasons Why, The Brave, Bull, and Angie Tribeca, among others.
Bud joined FuseFX in 2016 to help lead the VR production unit and create imaginative and absorbing experiences. Myrick's VR experience includes Escape the Living Dead, which incorporated moving VR cameras and feature-quality visual effects. He also led the FuseVR team for Buzz Aldrin: Cycling Pathways to Mars, which played at the Smithsonian Air and Space Museum.
Before joining the FuseFX team, Myrick's career began with a 15-year tenure at Rhythm & Hues, where he contributed to visual effects for films such as Serenity, Men in Black II, X-Men 2 and Around the World in 80 Days. He then continued his career at DreamWorks Feature Animation, where he worked on the Prince of Egypt and was the 3D FX Supervisor for The Road to El Dorado.
As a CG Supervisor, Bud has worked on The Good Doctor, True Detective, Ozark, 13 Reasons Why, The Brave, Bull, and Angie Tribeca, among others.
Bud joined FuseFX in 2016 to help lead the VR production unit and create imaginative and absorbing experiences. Myrick's VR experience includes Escape the Living Dead, which incorporated moving VR cameras and feature-quality visual effects. He also led the FuseVR team for Buzz Aldrin: Cycling Pathways to Mars, which played at the Smithsonian Air and Space Museum.
Before joining the FuseFX team, Myrick's career began with a 15-year tenure at Rhythm & Hues, where he contributed to visual effects for films such as Serenity, Men in Black II, X-Men 2 and Around the World in 80 Days. He then continued his career at DreamWorks Feature Animation, where he worked on the Prince of Egypt and was the 3D FX Supervisor for The Road to El Dorado.
