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Hayao Miyazaki at an event for Ponyo (2008)

Biography

Hayao Miyazaki

Overview

  • Born
    January 5, 1941 · Tokyo, Japan
  • Nicknames
    • the Japanese Walt Disney
    • Miya-san
  • Height
    5′ 4½″ (1.64 m)

Biography

  • Hayao Miyazaki is one of Japan's greatest animation directors. The entertaining plots, compelling characters, and breathtaking visuals in his films have earned him international renown from critics as well as public recognition within Japan.

    Miyazaki started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.

    In 1971, he moved to the A Pro studio with Isao Takahata. In 1973, he moved to Nippon Animation, where he was heavily involved in the World Masterpiece Theater TV animation series for the next 5 years. In 1978, he directed his first TV series, Future Boy Conan (1978). Then, he moved to Tokyo Movie Shinsha in 1979 to direct his first movie, the classic Lupin III: The Castle of Cagliostro (1979). In 1984, he released Nausicaä of the Valley of the Wind (1984), which was based on the manga of the same title he had started 2 years before. The success of the film led to the establishment of a new animation studio, Studio Ghibli. Since then, he has since directed, written, and produced many other films with Takahata. More recently, he has produced with Toshio Suzuki. All enjoyed critical and box office success, in particular Princess Mononoke (1997). It received the Japanese equivalent of the Academy Award for Best Film and was the highest-grossing (about USD $150 million) domestic film in Japan's history at the time of its release.

    In addition to animation, he also draws manga. His major work was Nausicaä, an epic tale he worked on intermittently from 1982 to 1984 while he was busy making animated films. Another manga Hikotei Jidai, later evolved into Porco Rosso (1992).
    - IMDb mini biography by: A+8
  • Hayao Miyazaki is a Japanese film director, producer, screenwriter, animator, author, and manga artist. Through a career that has spanned five decades, Miyazaki has attained international acclaim as a masterful storyteller and as a maker of anime feature films and, along with Isao Takahata, co-founded Studio Ghibli, a film and animation studio. Miyazaki has been described as combining elements of Walt Disney, Steven Spielberg and Orson Welles.

    In 2002, American film critic Roger Ebert suggested that Miyazaki may be the best animation filmmaker in history, praising the depth and artistry of his films. In November 2014, Miyazaki was awarded an Honorary Academy Award for his impact on animation and cinema. He is the second Japanese filmmaker to win this award, after Akira Kurosawa in 1990.
    - IMDb mini biography by: Pedro Borges

Family

  • Spouse
      Akemi Ôta(October 1965 - present) (2 children)
  • Children
      Keisuke Miyazaki
      Gorō Miyazaki
  • Parents
      Katsuji Miyazaki

Trademarks

  • The lead characters in most of his movies are female
  • His movies often have a sense of wonder and mysticism

Trivia

  • A friend of Disney and Pixar animator, John Lasseter.
  • Is sometimes called the "Walt Disney of Japan", but he has said that he dislikes that title.
  • Graduated from Eifuku Elementary School (1953).
  • Graduated from Toyotama High School (1959).
  • Graduated from Gakushuin University (1963).

Quotes

  • I'm not going to make movies that tell children, "You should despair and run away".
  • The concept of portraying evil and then destroying it - I know this is considered mainstream, but I think it is rotten. This idea that whenever something evil happens someone particular can be blamed and punished for it, in life and in politics is hopeless.
  • When I talk about traditions, I'm not talking about temples, which we got from China anyway. There is an indigenous Japan, and elements of that are what I'm trying to capture in my work.
  • [asked about his work's role in modern pop-culture] The truth is I have watched almost none of it. The only images I watch regularly come from the weather report.
  • [discussing CGI animation] I've told the people on my CGI staff not to be accurate, not to be true. We're making a mystery here, so make it mysterious.

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