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Harold Michelson(1920-2007)

  • Art Director
  • Art Department
  • Production Designer
IMDbProStarmeterSee rank
Trailer for Harold and Lillian: A Hollywood Love Story
Play trailer2:21
Harold and Lillian: A Hollywood Love Story (2015)
Widely regarded as "The industry's greatest illustrator," Harold Michelson was born in 1920 in New York City. He served as a bombardier-navigator in the U.S. Air Force during World War II, flying more than 40 missions over Germany. After the war, Harold worked as a magazine illustrator while attending the Art Students League of New York before moving on to Los Angeles, where he illustrated movie posters. He ultimately became an illustrator for Columbia Pictures before being traded to Paramount Pictures, where he worked as illustrator and storyboard artist on The Ten Commandments (1956), among other films. He then worked as a storyboard artist on Ben-Hur (1959) for MGM and Spartacus (1960) for Universal Pictures.

Throughout the remainder of the 1960s, Harold worked as either illustrator or storyboard artist on such classic films as West Side Story (1961), Cleopatra (1963), The Birds (1963), Marnie (1964), Who's Afraid of Virginia Woolf? (1966), The Graduate (1967), and Fiddler on the Roof (1971). Harold would go on to serve as art director on several films, and also began working as production designer with the 1971 Cannes Film Festival Jury Grand Prize-winning film Johnny Got His Gun, all the while continuing his career as an illustrator and storyboard artist.

Later in his career, Harold served as the Art Director/Production Designer for several feature films, including Catch-22 (1970), Mel Brooks' History of the World, Part I (1981), Spaceballs (1987), Planes, Trains, and Automobiles (1987), and Dick Tracy (1990). He was nominated for Academy Awards® for his design of Star Trek: The Motion Picture (1979), contributing to the interior and exterior design on the newly refit USS Enterprise. and Terms of Endearment (1983).

In 1999 Michelson was honored with the Art Director Guild's Lifetime Achievement Award, and in 2002, he received the Outstanding Achievement in Production Design award from the Hollywood Film Festival. Harold passed away March 1, 2007 at the age of 87.
BornFebruary 15, 1920
DiedMarch 1, 2007(87)
BornFebruary 15, 1920
DiedMarch 1, 2007(87)
IMDbProStarmeterSee rank
Add photos, demo reels
  • Nominated for 2 Oscars
    • 2 wins & 2 nominations total

Known for

Leonard Nimoy, William Shatner, and Persis Khambatta in Star Trek: The Motion Picture (1979)
Star Trek: The Motion Picture
6.4
  • Production Designer
  • 1979
Matthew Broderick and Ally Sheedy in WarGames (1983)
WarGames
7.1
  • Script and Continuity Department
  • 1983
Shirley MacLaine and Debra Winger in Terms of Endearment (1983)
Terms of Endearment
7.4
  • Art Director
  • 1983
Mel Brooks, Bill Pullman, John Candy, Rick Moranis, and Daphne Zuniga in Spaceballs (1987)
Spaceballs
7.1
  • Art Director
  • 1987

Credits

IMDbPro

Art Director



  • Warren Beatty in Dick Tracy (1990)
    Dick Tracy
    6.2
    • Art Director
    • 1990
  • Steve Martin and John Candy in Planes, Trains & Automobiles (1987)
    Planes, Trains & Automobiles
    7.6
    • Art Director
    • 1987
  • Mel Brooks, Bill Pullman, John Candy, Rick Moranis, and Daphne Zuniga in Spaceballs (1987)
    Spaceballs
    7.1
    • Art Director
    • 1987
  • Shirley MacLaine and Debra Winger in Terms of Endearment (1983)
    Terms of Endearment
    7.4
    • Art Director
    • 1983
  • Faye Dunaway in Mommie Dearest (1981)
    Mommie Dearest
    6.7
    • Art Director
    • 1981
  • Steve Guttenberg, Alex Briley, David Hodo, Glenn Hughes, Caitlyn Jenner, Randy Jones, Valerie Perrine, Felipe Rose, Ray Simpson, and The Village People in Can't Stop the Music (1980)
    Can't Stop the Music
    4.3
    • Art Director
    • 1980
  • Mame (1974)
    Mame
    5.9
    • Art Director
    • 1974
  • Two People (1973)
    Two People
    6.1
    • Art Director
    • 1973
  • Johnny Got His Gun (1971)
    Johnny Got His Gun
    7.8
    • Art Director
    • 1971
  • Catch-22 (1970)
    Catch-22
    7.1
    • Art Director
    • 1970
  • The Thousand Plane Raid (1969)
    The Thousand Plane Raid
    5.6
    • Art Director
    • 1969
  • Anthony Perkins and Tuesday Weld in Pretty Poison (1968)
    Pretty Poison
    7.0
    • Art Director
    • 1968
  • Jim Nabors and Frank Sutton in Gomer Pyle: USMC (1964)
    Gomer Pyle: USMC
    7.0
    TV Series
    • Art Director
    • 1965–1967
  • Ron Howard, Frances Bavier, and Andy Griffith in The Andy Griffith Show (1960)
    The Andy Griffith Show
    8.4
    TV Series
    • Art Director
    • 1965–1967

Art Department



  • Drew Barrymore, Ben Stiller, and Eileen Essell in Duplex (2003)
    Duplex
    5.9
    • storyboard artist (uncredited)
    • 2003
  • Death to Smoochy (2002)
    Death to Smoochy
    6.3
    • visual consultant
    • 2002
  • Danny DeVito, Embeth Davidtz, Kiami Davael, Pam Ferris, Liam Kearns, Rhea Perlman, Jacqueline Steiger, and Mara Wilson in Matilda (1996)
    Matilda
    7.0
    • art department visual consultant
    • 1996
  • Patrick Swayze in Three Wishes (1995)
    Three Wishes
    6.1
    • illustrator (uncredited)
    • 1995
  • Keanu Reeves and Aitana Sánchez-Gijón in A Walk in the Clouds (1995)
    A Walk in the Clouds
    6.7
    • visual consultant (uncredited)
    • 1995
  • Screen Two (1984)
    Screen Two
    6.7
    TV Series
    • illustrator (uncredited)
    • 1995
  • Noah Fleiss and Jacob Tierney in Josh and S.A.M. (1993)
    Josh and S.A.M.
    5.7
    • storyboard artist (as Harold Michaelson)
    • 1993
  • Jack Nicholson and Danny DeVito in Hoffa (1992)
    Hoffa
    6.6
    • art department visual consultant
    • 1992
  • Graveyard Shift (1990)
    Graveyard Shift
    5.0
    • visual consultant (uncredited)
    • 1990
  • Jack Nicholson in The Two Jakes (1990)
    The Two Jakes
    6.1
    • storyboard artist
    • 1990
  • The Earth Day Special (1990)
    The Earth Day Special
    5.6
    TV Special
    • storyboard artist
    • 1990
  • Jeff Goldblum in The Fly (1986)
    The Fly
    7.6
    • art department visual consultant
    • 1986
  • Billy Crystal and Gregory Hines in Running Scared (1986)
    Running Scared
    6.5
    • illustrator (uncredited)
    • 1986
  • Mikhail Baryshnikov and Gregory Hines in White Nights (1985)
    White Nights
    6.7
    • visual continuity
    • 1985
  • Richard Gere in The Cotton Club (1984)
    The Cotton Club
    6.6
    • illustrator (uncredited)
    • 1984

Production Designer



  • Richard Gere, Sharon Stone, and Lolita Davidovich in Intersection (1994)
    Intersection
    5.4
    • Production Designer
    • 1994
  • History of the World: Part I (1981)
    History of the World: Part I
    6.8
    • Production Designer
    • 1981
  • Leonard Nimoy, William Shatner, and Persis Khambatta in Star Trek: The Motion Picture (1979)
    Star Trek: The Motion Picture
    6.4
    • production designer
    • 1979
  • Ann-Margret, Roy Scheider, and Jean-Louis Trintignant in The Outside Man (1972)
    The Outside Man
    6.5
    • Production Designer
    • 1972
  • Johnny Got His Gun (1971)
    Johnny Got His Gun
    7.8
    • Production Designer
    • 1971

Videos1

Harold and Lillian: A Hollywood Love Story
Trailer 2:21
Harold and Lillian: A Hollywood Love Story

Personal details

  • Official site
    • Movie Trailer - Harold and Lillian
  • Alternative names
    • Harold Michaelson
  • Height
    • 6′ (1.83 m)
  • Born
    • February 15, 1920
    • New York City, New York, USA
  • Died
    • March 1, 2007
    • Woodland Hills, California, USA(undisclosed)
  • Spouse
    • Lillian MichelsonDecember 10, 1947 - March 1, 2007 (his death, 3 children)
  • Publicity listings
    • 1 Biographical Movie
    • 1 Print Biography
    • 2 Articles

Did you know

  • Trivia
    Some of his strikingly illustrative storyboards showing Moses parting the Red Sea for the half-century-old production of The Ten Commandments (1956) were featured in a two-page spread in the Summer 2013 issue of the Directors Guild of America (DGA) Quarterly.
  • Quotes
    Harold describes how he conceptualized the storyboards for the hotel room scene in THE GRADUATE: "I'm trying to get as many different compositions as I can without making it a dull two-headed monster or a two-headed screen of just two people talking and cutting back and forth, which makes it absolutely deadly. I don't care how good the dialog is." "There was this scene and I decided to have in the foreground the angle of her leg, which created a triangle, and put Dustin Hoffman in between. We saw him immediately, and you also got the feeling of a sexual escapade." "It's your ideas that they want. They don't want your style." "In reality - and I won't say this - it's like directing. You have to have all this knowledge of directing just for this piece of paper. After that, they can do whatever they want with the piece of paper, but all these truths are part of the art of cinema." "These compositions, which, when you're doing a storyboard, are really up to you. There are many ways of bringing the central character to the eye of the audience by putting them at the end of a vanishing point... which is two lines going off in a distance like a railroad track. Your eye is led by the railroad tracks. These are the devices we use to capture the audience's view."
  • Nickname
    • Mike

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