Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPrimetime EmmysToronto Int'l Film FestivalFall TV GuideMost Anticipated This MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayTrending peopleCelebrity news
    IMDb LabsHelp centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
IMDbPro
Erik Messerschmidt

Biography

Erik Messerschmidt

Overview

  • Born
    October 23, 1980 · Portland, Maine, USA

Biography

  • Erik Messerschmidt was born on October 23, 1980 in Portland, Maine, USA. He is a cinematographer, known for Mank (2020), The Killer (2023) and Ferrari (2023). He has been married to Naiara Eizaguirre-Paulos since May 2020. They have one child.

Family

  • Spouse
      Naiara Eizaguirre-Paulos(May 2020 - present) (1 child)

Trivia

  • Member of the American Society of Cinematographers (ASC) since 2020.
  • In January 2025, his house in Altadena, California was burned down in the Eaton Fire.
  • Graduated from Emerson College in 2002.

Quotes

  • [on shooting Mank (2020) digitally] David and I needed to be able to look at a monitor and get very specific about everything that exists in the frame - the set dressing, the composition, the lighting, the overall tone. Being able to see the image on the monitor and make those creative decisions analytically is crucial to David's process. In contrast, there is an imprecise nature to composing a shot with a film camera. It just doesn't provide the same level of control we need. (...) For this movie we wanted to shoot very deep focus photography for most of the film and then be very specific about where we used shallow focus. Shooting on film would have significantly limited our creative choices, particularly with focus and depth of field. [2021]

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

You have no recently viewed pages
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2026 by IMDb.com, Inc.