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Virginia Mayo

Biography

Virginia Mayo

Overview

  • Born
    November 30, 1920 · St. Louis, Missouri, USA
  • Died
    January 17, 2005 · Thousand Oaks, California, USA (pneumonia and heart failure)
  • Birth name
    Virginia Clara Jones
  • Nicknames
    • Ginny
    • Mayonaise
  • Height
    5′ 5″ (1.65 m)

Mini bio

  • Virginia Clara Jones was born on November 30, 1920 in St. Louis, Missouri, the daughter of a newspaper reporter and his wife. The family had a rich heritage in the St. Louis area: her great-great-great-grandfather served in the American Revolution and later founded the city of East Saint Louis, Illinois, located right across the Mississippi River from its namesake. Virginia was interested in show business from an early age. Her aunt operated a dance studio and Virginia began taking lessons at the age of six. After graduating from high school in 1937, she became a member of the St. Louis Municipal Opera before she was signed to a contract by Samuel Goldwyn after being spotted by an MGM talent scout during a Broadway revue. David O. Selznick gave her a screen test, but decided she wouldn't fit into films. Goldwyn, however, believed that her talent as an actress was there and cast her in a small role in 1943's Jack London (1943). She later had a walk-on part in Follies Girl (1943) that same year. Believing there was more to her than her obvious ravishing beauty, producers thought it was time to give her bigger and better roles. In 1944 she was cast as Princess Margaret in The Princess and the Pirate (1944), with Bob Hope and a year later appeared as Ellen Shavley in Wonder Man (1945). Her popularity increasing with every appearance, Virginia was cast in two more films in 1946, The Kid from Brooklyn (1946), with Danny Kaye, and The Best Years of Our Lives (1946), with Dana Andrews, and received good notices as Andrews' avaricious, unfaithful wife. Her roles may have been coming in slow, but with each one her popularity with audiences rose. She finally struck paydirt in 1947 with a plum assignment in the well-received The Secret Life of Walter Mitty (1947) as Rosalind van Hoorn. That same year she married Michael O'Shea and would remain with him until his death in 1973 (the union produced a daughter, Mary Catherine, in 1953). She got some of the best reviews of her career in James Cagney's return to the gangster genre, White Heat (1949), as Verna, the scheming, cheating wife of homicidal killer Cody Jarrett (Cagney). The striking beauty had still more plum roles in the 1950s. Parts in Backfire (1950), She's Working Her Way Through College (1952) and South Sea Woman (1953) all showed she was still a force to be reckoned with. As the decade ended, Virginia's career began to slow down. She had four roles in the 1960s and four more in the following decade. Her last role was as Lucia in 1997's The Man Next Door. She died on January 17, 2005.
    - IMDb mini biography by: Denny Jackson

Family

  • Spouse
      Michael O'Shea(July 5, 1947 - December 4, 1973) (his death, 1 child)
  • Children
      Catherine Mary O'Shea
  • Parents
      Luke Jones
      Martha Henrietta (née Rautenstrauch) Jones
  • Relatives
      Lea Lake Jones(Sibling)

Trivia

  • Was slightly cross-eyed and had to be carefully photographed.
  • Early on, using her real name of Virginia Jones, she played a straight woman in vaudeville for four years to a performing horse act. The "horse" was comprised of two men known as the Mayo Brothers; hence her stage name.
  • Was once termed "the most beautiful blonde in the world"; her beauty so impressed the Sultan of Morocco that he said seeing her was "tangible proof of the existence of God.".
  • Was Paul Newman's first on-screen leading lady, in the Biblical epic The Silver Chalice (1954).
  • She has appeared in two films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: The Best Years of Our Lives (1946) and White Heat (1949).

Quotes

  • I must say Jack Palance was a drag. We were together in The Silver Chalice (1954). The way he did his work was strange. He was a weird actor and I didn't like working with him at all.
  • [on Doris Day] I loved working with her. We used to call her Miss Sparkle Plenty because she was so vivacious.
  • James Cagney was the most dynamic man who ever appeared on the screen. He should have won five Oscars, he was so fabulous. He stimulated me to such an extent. I must say that I didn't have to act very much; I just had to react to him because he was so powerful.
  • [on Alan Ladd] And I worked with Alan Ladd who, along with Gregory Peck, was my favorite leading man. He was a beautiful man, charming and gentle, and I think, of all my leading men, he worked best with me.
  • [on how she met her husband, Michael O'Shea] He just sat there watching me, and then he walked right up and kissed me.

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