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Donald Lyons(I)

  • Actor
IMDbProStarmeterSee rank
Donald Lyons served as the drama critic at the literary journal New Criterion, the Wall Street Journal and New York Post where he was chief theater critic (1998-2002) replacing Clive Barnes. He was a frequent guest on the PBS show "Theatre Talk" hosted by his fellow NY Post theater columnist Michael Riedel.

A graduate of Fordham University, Mr. Lyons received his Masters at Harvard. He went on to teach English Literature at Harvard, NYU and Rutgers. In 1994 he wrote the book "Independent Visions: A Critical Introduction To Recent Independent American Film." He was considered an expert on the plays of Eugene O'Neill.

Mr. Lyons was a member of Andy Warhol's Factory where he had roles in "Space" (1965) and "Chelsea Girls" (1966). At this time he was a contributor to Interview, the magazine created by Andy Warhol when the New York Film Festival refused to credentialized him and his acolytes.

In Patti Smith's memoir "Just Kids" she credits Lyons with inspiring her to become a musician after he took her to Max's Kansas City to hear the Velvet Underground perform.
DiedJuly 12, 2011
DiedJuly 12, 2011
IMDbProStarmeterSee rank
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Known for

Dorothy Dean, Donald Lyons, Ondine, Edie Sedgwick, and Arthur Loeb in Afternoon (1965)
Afternoon
5.1
  • Actor
  • 1965
Edie Sedgwick in Space (1965)
Space
5.5
  • Actor
  • 1965
Edie Sedgwick in Kitchen (1966)
Kitchen
6.5
  • Actor
  • 1966
Edie Sedgwick in Restaurant (1965)
Restaurant
6.8
Short
  • Actor
  • 1965

Credits

IMDbPro

Actor



  • Edie Sedgwick in Kitchen (1966)
    Kitchen
    6.5
    • 1966
  • Dorothy Dean, Donald Lyons, Ondine, Edie Sedgwick, and Arthur Loeb in Afternoon (1965)
    Afternoon
    5.1
    • 1965
  • Edie Sedgwick in Restaurant (1965)
    Restaurant
    6.8
    Short
    • 1965
  • Edie Sedgwick in Space (1965)
    Space
    5.5
    • 1965

Personal details

  • Died
    • July 12, 2011
    • USA

Did you know

  • Trivia
    In the early 1970s, he wrote extensively about films for Andy Warhol's "Interview" magazine, and in the 1990s was a frequent contributor to "Film Comment" and other film magazines.

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