Stu Linder(1931-2006)
- Editor
- Editorial Department
Academy Award winner film editor and also recipient of the Eddie award from the American Cinema Editors, Stu Linder is best remembered for his editing in several films from director Barry Levinson.
Stewart Bridgewater Linder was born on November 8, 1931 in Geneva, Illinois. He began his career as assistant editor on The Misfits (1961) and The Man Who Shot Liberty Valance (1962), working alongside Hollywood's Golden era directors such as John Huston and John Ford. Thanks to his meticulous work on Seconds (1966), director John Frankenheimer offered him the editing duties on Grand Prix (1966). Along with editors Fredric Steinkamp, Henry Berman and Frank Santillo they composed some of the most fascinating car races ever created, and for their work in the film they won the Academy Award of Best Editing.
After the film's success Linden became an important editor, at times working as an editorial assistant in films for Mike Nichols in the early 1970's. With Diner (1982), a long collaboration with director Barry Levinson has started, spanning for more than 20 years. Their stylistic choices, rhythm and experience can be viewed in countless films and of many different stories and settings, from drama to comedy and suspense. Among the titles Levinson & Linder made together are The Natural (1984), Young Sherlock Holmes (1985), Tin Men (1987), Good Morning, Vietnam (1987), Avalon (1990), Bugsy (1991), Sleepers (1996), Wag the Dog (1997) and Rain Man (1988), where Linder was once again nominated for a Best Editing Oscar and Levinson won as Best Director.
The duo collaboration was abruptly ended while filming Man of the Year (2006), when Linden was found dead after suffering a heart-attack on January 12, 2006. It would be their 18th film together.
Stewart Bridgewater Linder was born on November 8, 1931 in Geneva, Illinois. He began his career as assistant editor on The Misfits (1961) and The Man Who Shot Liberty Valance (1962), working alongside Hollywood's Golden era directors such as John Huston and John Ford. Thanks to his meticulous work on Seconds (1966), director John Frankenheimer offered him the editing duties on Grand Prix (1966). Along with editors Fredric Steinkamp, Henry Berman and Frank Santillo they composed some of the most fascinating car races ever created, and for their work in the film they won the Academy Award of Best Editing.
After the film's success Linden became an important editor, at times working as an editorial assistant in films for Mike Nichols in the early 1970's. With Diner (1982), a long collaboration with director Barry Levinson has started, spanning for more than 20 years. Their stylistic choices, rhythm and experience can be viewed in countless films and of many different stories and settings, from drama to comedy and suspense. Among the titles Levinson & Linder made together are The Natural (1984), Young Sherlock Holmes (1985), Tin Men (1987), Good Morning, Vietnam (1987), Avalon (1990), Bugsy (1991), Sleepers (1996), Wag the Dog (1997) and Rain Man (1988), where Linder was once again nominated for a Best Editing Oscar and Levinson won as Best Director.
The duo collaboration was abruptly ended while filming Man of the Year (2006), when Linden was found dead after suffering a heart-attack on January 12, 2006. It would be their 18th film together.
