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  • Biography
IMDbPro

Paul Lewis(I)

  • Production Manager
  • Producer
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
Producer and production manager Paul Lewis hails from Philadelphia, Pennsylvania. His father was a labor union organizer and his mother was a housewife. Following graduation from Rutgers University in Camden, New Jersey, Paul went to New York and became a member of Actors' Equity. He acted in some summer stock and Off-Broadway theatre before switching to being a stage manager. Lewis ran the Actor's Playhouse in New York City for a while. Lewis then moved to California in order to break into the motion picture business and continued to work as a stage manager prior to snagging his first film gig as the associate producer of the low-budget drama "Walk the Angry Beach" in 1960. Paul frequently collaborated with Dennis Hopper on a handful of features that include "Easy Rider," "The Last Movie," "Out of the Blue," "Colors," and "The Hot Spot." Among the other directors Lewis worked with are Richard Rush, Peter Bogdanovich, Monte Hellman, Jack Starrett, and Tom Laughlin. Paul retired from the film industry in the mid 90s.
  • More at IMDbPro
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Add photos, demo reels
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  • Known for

    Rutger Hauer and C. Thomas Howell in The Hitcher (1986)
    The Hitcher
    7.2
    • Production Management
    • 1986
    William Finley in Phantom of the Paradise (1974)
    Phantom of the Paradise
    7.3
    • Producer
    • 1974
    Robert Duvall and Sean Penn in Colors (1988)
    Colors
    6.7
    • Production Management
    • 1988
    Barbra Streisand and Ryan O'Neal in What's Up, Doc? (1972)
    What's Up, Doc?
    7.6
    • Producer
    • 1972

    Credits

    IMDbPro

    Production Management



    • Erika Eleniak, Tom Berenger, and William McNamara in Chasers (1994)
      Chasers
      5.2
      • unit production manager
      • 1994
    • Don Johnson and Virginia Madsen in The Hot Spot (1990)
      The Hot Spot
      6.4
      • unit production manager
      • 1990
    • Jodie Foster and Dennis Hopper in Catchfire (1990)
      Catchfire
      5.3
      • unit production manager
      • 1990
    • Kelly McGillis and Kurt Russell in Winter People (1989)
      Winter People
      6.2
      • production manager
      • 1989
    • Robert Duvall and Sean Penn in Colors (1988)
      Colors
      6.7
      • unit production manager
      • 1988
    • Bad Guys (1986)
      Bad Guys
      4.5
      • production manager
      • 1986
    • Rutger Hauer and C. Thomas Howell in The Hitcher (1986)
      The Hitcher
      7.2
      • unit production manager
      • 1986
    • Chuck Norris in Silent Rage (1982)
      Silent Rage
      5.5
      • executive in charge of production
      • unit production manager
      • 1982
    • Hollywood Man (1976)
      Hollywood Man
      5.1
      • production manager
      • 1976
    • The Last Movie (1971)
      The Last Movie
      6.1
      • production manager (uncredited)
      • 1971
    • Futz (1969)
      Futz
      4.6
      • production manager
      • 1969
    • Peter Fonda in Easy Rider (1969)
      Easy Rider
      7.2
      • production manager
      • 1969
    • 2000 Years Later (1969)
      2000 Years Later
      6.3
      • production manager
      • 1969
    • Tim O'Kelly in Targets (1968)
      Targets
      7.3
      • production manager
      • 1968
    • Susan Strasberg in Psych-Out (1968)
      Psych-Out
      5.9
      • production manager
      • 1968

    Producer



    • Don Johnson and Virginia Madsen in The Hot Spot (1990)
      The Hot Spot
      6.4
      • produced by
      • 1990
    • Nothing Like a Royal Show
      TV Movie
      • producer
      • 1990
    • Jodie Foster and Dennis Hopper in Catchfire (1990)
      Catchfire
      5.3
      • line producer
      • 1990
    • Robert Duvall and Sean Penn in Colors (1988)
      Colors
      6.7
      • co-producer
      • 1988
    • Rutger Hauer and C. Thomas Howell in The Hitcher (1986)
      The Hitcher
      7.2
      • co-producer
      • 1986
    • Out of the Blue (1980)
      Out of the Blue
      7.2
      • executive producer
      • 1980
    • The Stunt Man (1980)
      The Stunt Man
      6.9
      • associate producer
      • 1980
    • The Van (1977)
      The Van
      4.6
      • producer
      • 1977
    • Hollywood Man (1976)
      Hollywood Man
      5.1
      • line producer
      • 1976
    • William Finley in Phantom of the Paradise (1974)
      Phantom of the Paradise
      7.3
      • associate producer
      • 1974
    • The House of Seven Corpses (1973)
      The House of Seven Corpses
      4.3
      • producer
      • 1973
    • The Naked Ape (1973)
      The Naked Ape
      5.2
      • associate producer
      • 1973
    • This Is a Hijack (1973)
      This Is a Hijack
      5.3
      • producer
      • 1973
    • Barbra Streisand and Ryan O'Neal in What's Up, Doc? (1972)
      What's Up, Doc?
      7.6
      • associate producer
      • 1972
    • The Last Movie (1971)
      The Last Movie
      6.1
      • producer
      • 1971

    Second Unit or Assistant Director



    • Peter Fonda in Easy Rider (1969)
      Easy Rider
      7.2
      • assistant director (uncredited)
      • 1969
    • Jack Nicholson and Millie Perkins in The Shooting (1966)
      The Shooting
      6.4
      • assistant director (uncredited)
      • 1966

    Personal details

    • Spouse
      • Audrey WinogardeSeptember 19, 1989 - ?
    • Publicity listings
      • 1 Interview

    Did you know

    • Quotes
      [on making low-budget independent films in the late 60s and early 70s] It was a wonderful period. We just wanted to make films, so we went out and figured out the best way to do it. How can you make a film for a limited amount of money? You learn your craft working with Joe Solomon or Roger Corman or doing things for AIP. We didn't want to be dominated by the studios. We wanted to control our films. We were all really taken up with what the French were doing at that point, the whole New Wave. The freedom that the filmmakers were experiencing in Europe was what we really wanted. We wanted Cannes; we didn't want Oscars. To get to Cannes was the great dream. To win an Oscar didn't mean anything in those days to us.

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