Viola Lawrence(1894-1973)
- Editor
Regarded as Hollywood's first lady film cutter, Viola Lawrence began
her career holding title cards for the Brooklyn-based film company
Vitagraph. In 1911, she earned a meager $5 as a messenger. But she
persisted in the business and worked her way up to edit her first film
in 1912. Five years later, she resettled in Hollywood where she was
signed by Carl Laemmle for Universal.
During the
1920's, she was under contract to First National and to the independent companies of Gloria Swanson
and Samuel Goldwyn at United Artists
(1927-30). She spent the remainder of her lengthy career at Columbia
(1931-60), where she rose to the position of supervising editor. She
avidly believed in the power of close-ups and in highlighting actor's
eyes to convey drama and emotion.
Lawrence did some of her finest work on two seminal films noir: The Lady from Shanghai (1947) and In a Lonely Place (1950)); and on the musical Pal Joey (1957), for which she received an Oscar nomination. Her swan song was the big budget musical comedy Pepe (1960), an ill-advised attempt at replicating the success of Around the World in 80 Days (1956). Lawrence later claimed that it had been her toughest assignment to date, as she had to pare down 500,000 feet of exposed film to just 20,000. In the end, the picture still ran to 195 minutes. Its relative failure may well have precipitated Lawrence's retirement.
Viola Lawrence was married to pioneer editor Frank Lawrence, who had been her mentor back in her days at Vitagraph.
Lawrence did some of her finest work on two seminal films noir: The Lady from Shanghai (1947) and In a Lonely Place (1950)); and on the musical Pal Joey (1957), for which she received an Oscar nomination. Her swan song was the big budget musical comedy Pepe (1960), an ill-advised attempt at replicating the success of Around the World in 80 Days (1956). Lawrence later claimed that it had been her toughest assignment to date, as she had to pare down 500,000 feet of exposed film to just 20,000. In the end, the picture still ran to 195 minutes. Its relative failure may well have precipitated Lawrence's retirement.
Viola Lawrence was married to pioneer editor Frank Lawrence, who had been her mentor back in her days at Vitagraph.
