Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

See which big screen releases you can watch from the comfort of your couch.

Theatrical Releases Coming to Streaming

Get a closer look at these actors from their many TV and streaming series roles.

Streaming Stars, Then and Now

One of the finest background artists employed on creating the Looney Tunes & Merrie Melodies cartoons for Warner Brothers began his career as a respected muralist in Southern California. A prodigy as an arts student, Julian graduated from the prestigious Chouinard Art Institute in Pasadena. After winning first prize at the California State Fair he began to exhibit paintings on maritime themes. However, his reputation rested on a series of murals under the Work Projects Administration, funded by the New Deal. In October 1939, Julian landed a job in Los Angeles as layout and background artist at Leon Schlesinger's animation studio, "Termite Terrace". Assigned primarily to Friz Freleng's unit, he became highly regarded for his colourful, modernist cityscape paintings for Sylvester & Tweety cartoons, as well as for Bugs Bunny and Daffy Duck shorts. Many of the classic episodes he worked on are instantly familiar: Racketeer Rabbit (1946), I Taw a Putty Tat (1948), Buccaneer Bunny (1948), Bad Ol' Putty Tat (1949) , Golden Yeggs (1950), Bunker Hill Bunny (1950) and Ballot Box Bunny (1951), to name just a few.

Carrying bulky paintings through narrow studio passageways or across soundstages, Julian had a habit of warning people to stay out his path by shouting "Meep-meep!" (often misheard as "beep-beep"). This characteristic sound was famously adopted by the writer Michael Maltese as the trademark call made by the Road Runner character and was recorded at various speeds during a single audio session by Julian himself. Since Julian was not affiliated with the Screen Actors Guild, he did not receive screen credit.

In 1951, Julian joined United Productions of America (UPA), where he worked on everything from military training films and educational or commercial projects, to Mr. Magoo cartoons. In the following decade, at Hanna-Barbera Productions, he was a background painter and graphic designer (notably on The Herculoids (1967)). Right up to the mid-1980s, Julian's artistry continued to enliven regular Bugs Bunny/Road Runner specials. He was also credited as full art director on the classic animated feature Charlotte's Web (1973).

Awards

Paul Julian

Annie Awards

Locarno Film Festival

Motion Picture Screen Cartoonists Awards

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