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Cecil Holland(1887-1973)

  • Actor
  • Make-up Department
IMDbProStarmeterSee rank
Cecil Holland
Father of Meg Sargent, portrait artist and actress. Cecil Claude Holland was born in Gravesend-On-Thames, England, son of Richard Henry Holland, an English sea captain. At the age of sixteen he sailed from England to Vancouver, B.C., where he disembarked and began a new life in the Americas. He helped with the reconstruction of San Francisco after the earthquake of 1906.

Holland performed as an actor in touring companies and eventually wound up in Hollywood around 1915. Volunteered for the U.S. Army during World War I, serving in France, and was granted U.S. citizenship as a result. Being an expert in applying his own character make-up, Holland started doing make-up for other actors in the films in which he appeared, eventually leaving acting in favor of full-time make-up. He was the first head of the make-up department at MGM.

Described in the Los Angeles Times as "The Man Of A Thousand Faces", due to his ability to transform himself into many disparate characters. Ultimately this moniker was inherited by his friend Lon Chaney. Was quite adept at construction, building a self-designed glider and an automobile. Proficient oil painter, wood carver, sculptor and stage magician. Strong ability as a mimic of various English and American accents. Lived in the Beverly Hills and Van Nuys sections of Los Angeles.
BornMarch 29, 1887
DiedJune 29, 1973(86)
BornMarch 29, 1887
DiedJune 29, 1973(86)
IMDbProStarmeterSee rank

Known for

Helen Ware in The Garden of Allah (1916)
The Garden of Allah
  • Hadj
  • 1916
Go and Get It (1920)
Go and Get It
5.0
  • Makeup Department
  • 1920
The Crisis (1916)
The Crisis
6.0
  • Gen. W.T. Sherman
  • 1916
Fred MacMurray and Claire Trevor in Borderline (1950)
Borderline
6.1
  • Makeup Department
  • 1950

Credits

IMDbPro

Actor



  • The Show (1927)
    The Show
    6.9
    • Undetermined Role (uncredited)
    • 1927
  • Lon Chaney in The Blackbird (1926)
    The Blackbird
    6.7
    • Old Man at Mission (uncredited)
    • 1926
  • Name the Man! (1924)
    Name the Man!
    6.8
    • Coroner
    • 1924
  • Conrad Nagel in The Rendezvous (1923)
    The Rendezvous
    • Nichi
    • 1923
  • Sylvia Breamer, J. Warren Kerrigan, and Russell Simpson in The Girl of the Golden West (1923)
    The Girl of the Golden West
    • Antonio
    • 1923
  • The Bishop of the Ozarks (1923)
    The Bishop of the Ozarks
    • Dr. Earl Godfrey
    • 1923
  • Wanda Hawley and Milton Sills in Burning Sands (1922)
    Burning Sands
    • Old Sheik
    • 1922
  • Dorothy Dalton and Milton Sills in The Woman Who Walked Alone (1922)
    The Woman Who Walked Alone
    • Mombo
    • 1922
  • Wesley Barry in Penrod (1922)
    Penrod
    5.7
    • John Barrett
    • 1922
  • Emilius Jorgensen and Walter Long in Moran of the Lady Letty (1922)
    Moran of the Lady Letty
    6.4
    • Bill Trim
    • 1922
  • The Great Impersonation (1921)
    The Great Impersonation
    • Roger Unthank
    • 1921
  • The City of Purple Dreams (1918)
    The City of Purple Dreams
    • 1918
  • Vivian Reed in The Lad and the Lion (1917)
    The Lad and the Lion
    • Col. Vivier
    • 1917
  • George Walsh in Melting Millions (1917)
    Melting Millions
    • Casey
    • 1917
  • Sessue Hayakawa in Each to His Kind (1917)
    Each to His Kind
    3.8
    • The Maharajah
    • 1917

Makeup Department



  • Fred MacMurray and Claire Trevor in Borderline (1950)
    Borderline
    6.1
    • makeup artist
    • 1950
  • John Wayne, Oliver Hardy, Philip Dorn, and Vera Ralston in The Fighting Kentuckian (1949)
    The Fighting Kentuckian
    6.4
    • makeup artist (uncredited)
    • 1949
  • Judy Garland, Billie Burke, Ray Bolger, Margaret Hamilton, Jack Haley, Bert Lahr, and Frank Morgan in The Wizard of Oz (1939)
    The Wizard of Oz
    8.1
    • makeup department head (uncredited)
    • 1939
  • Paul Muni and Luise Rainer in The Good Earth (1937)
    The Good Earth
    7.4
    • makeup artist (uncredited)
    • 1937
  • Ethel Barrymore, Lionel Barrymore, Tad Alexander, and Ralph Morgan in Rasputin and the Empress (1932)
    Rasputin and the Empress
    6.5
    • makeup artist (uncredited)
    • 1932
  • Boris Karloff, Myrna Loy, Charles Brabin, Jean Hersholt, Karen Morley, Sax Rohmer, Charles Starrett, and Lewis Stone in The Mask of Fu Manchu (1932)
    The Mask of Fu Manchu
    6.2
    • makeup artist (uncredited)
    • 1932
  • John Barrymore, Lionel Barrymore, Wallace Beery, Joan Crawford, and Greta Garbo in Grand Hotel (1932)
    Grand Hotel
    7.3
    • makeup department head (uncredited)
    • 1932
  • Helen Hayes in The Sin of Madelon Claudet (1931)
    The Sin of Madelon Claudet
    6.6
    • makeup artist (uncredited)
    • 1931
  • Ramon Novarro and Madge Evans in Son of India (1931)
    Son of India
    6.1
    • makeup artist (uncredited)
    • 1931
  • Joan Crawford in Dance, Fools, Dance (1931)
    Dance, Fools, Dance
    6.3
    • makeup artist (uncredited)
    • 1931
  • Marion Davies in The Patsy (1928)
    The Patsy
    7.4
    • makeup artist
    • 1928
  • The Student Prince in Old Heidelberg (1927)
    The Student Prince in Old Heidelberg
    7.5
    • makeup artist (uncredited)
    • 1927
  • Conrad Nagel and Claire Windsor in Dance Madness (1926)
    Dance Madness
    • makeup department head
    • 1926
  • Wallace Beery, Arthur Conan Doyle, Lloyd Hughes, Bessie Love, and Lewis Stone in The Lost World (1925)
    The Lost World
    7.0
    • makeup artist: ape-man (uncredited)
    • 1925
  • The Great Impersonation (1921)
    The Great Impersonation
    • makeup artist
    • 1921

Personal details

  • Alternative names
    • C.C. Holland
  • Born
    • March 29, 1887
    • Gravesend, Kent, England, UK
  • Died
    • June 29, 1973
    • Los Angeles, California, USA(effects of a stroke and pneumonia)
  • Spouse
    • Norma Taylor1922 - June 29, 1973 (his death)
  • Publicity listings
    • 1 Article

Did you know

  • Trivia
    He discovered the technique of using the skin of an egg over an actor's eyeball, like a contact lens, to give the impression of blindness.

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