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Philip Hinchcliffe

  • Producer
  • Script and Continuity Department
  • Writer
IMDbProStarmeterSee rank
After graduating in English Literature, Philip Hinchcliffe worked for a travel company and as a teacher before becoming a script editor for the television company Associated Television. After extensive experience of working with writers and scripts for a number of shows, he began to set his sights on moving into the production side and gained experience as an associate producer.

In the spring of 1974 he joined the BBC to take his first full production job after the corporation's head of serials, William Slater, offered him the role of producer of the popular science-fiction series Doctor Who (1963). He teamed up with script editor Robert Holmes, an experienced television drama writer, and produced three seasons of the programme which were broadcast between January 1975 and April 1977. He led the show into darker, more dramatic storylines, which resulted in unprecedented levels of both popularity and controversy for the series. Television watchdog Mary Whitehouse became a frequent critic of the series during this period, considering it too violent and horrific to be shown at a time when children would be watching. The frequency of her complaints caused growing concern amongst Hinchcliffe's superiors at the BBC, although they publicly backed the producer as he was delivering consistently high viewing figures. After Whitehouse wrote a particularly strong letter to the BBC in November 1976 about the serial The Deadly Assassin, in which she accused the BBC of ignoring its own guidance on the portrayal of violence on television, an apology from BBC Director-General Charles Curran marked a change in the BBC's policy. Hinchcliffe and the BBC agreed that he should be moved on to producing other programmes at the end of that season and his successor, Graham Williams, was ordered to lighten the tone of Doctor Who (1963).

Hinchcliffe's next series was Target (1977), a police series that was intended as the BBC's answer to ITV's popular The Sweeney (1975), although it failed to capture the same degree of popularity and only lasted for two series. Nevertheless, Hinchcliffe would spend the next two decades as one of British television drama's most successful producers, working on series such as Private Schulz (1981) and the long-running Taggart (1983).

Although he has worked on numerous productions, Hinchcliffe is still most famous for his time on the legendary television series Doctor Who (1963), which is still considered the strongest period of the show by many fans. He also wrote novelisations of The Keys of Marinus, The Seeds of Doom and The Masque of Mandragora. Since retiring from television, Hinchcliffe has recorded numerous interviews and commentaries on DVD releases remembering his time on the show. With the death of Derrick Sherwin in 2018, Hinchcliffe became the last surviving producer of the original series of Doctor Who (1963).
BornOctober 1, 1944
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BornOctober 1, 1944
IMDbProStarmeterSee rank
Add photos, demo reels
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    • Nominated for 1 Primetime Emmy
      • 6 wins & 6 nominations total

    Known for

    Phyllis Logan, Joan Plowright, and Stephen Tompkinson in And a Nightingale Sang (1989)
    And a Nightingale Sang
    7.5
    TV Movie
    • Producer
    • 1989
    Francesca Annis, Ian Richardson, and Christoph Waltz in The Gravy Train (1990)
    The Gravy Train
    7.4
    TV Mini Series
    • Producer
    Paul McGann, Colin Baker, Tom Baker, Peter Davison, William Hartnell, Sylvester McCoy, Jon Pertwee, and Patrick Troughton in Doctor Who (1963)
    Doctor Who
    8.4
    TV Series
    • Producer
    Ian Richardson, Michael Elphick, and Rula Lenska in Private Schulz (1981)
    Private Schulz
    8.0
    TV Series
    • Producer

    Credits

    IMDbPro

    Producer



    • Take Me (2001)
      Take Me
      7.2
      TV Mini Series
      • executive producer
      • 2001
    • Mark McManus in Taggart (1983)
      Taggart
      7.4
      TV Series
      • executive producer
      • 1999–2001
    • Ken Stott in Rebus (2000)
      Rebus
      7.5
      TV Series
      • executive producer
      • 2000
    • Robson Green in The Last Musketeer (2000)
      The Last Musketeer
      6.2
      TV Movie
      • executive producer
      • 2000
    • Laura Fraser, Steve John Shepherd, and John Simm in Forgive and Forget (2000)
      Forgive and Forget
      6.1
      TV Movie
      • executive producer
      • 2000
    • McCallum (1995)
      McCallum
      7.6
      TV Series
      • executive producer
      • 1998
    • Geraldine James and David Suchet in Seesaw (1999)
      Seesaw
      6.9
      TV Mini Series
      • executive producer
      • 1998
    • Leonardo DiCaprio, David Thewlis, and Romane Bohringer in Total Eclipse (1995)
      Total Eclipse
      6.4
      • co-producer
      • 1995
    • Hugh Grant, Alan Rickman, and Georgina Cates in An Awfully Big Adventure (1995)
      An Awfully Big Adventure
      5.8
      • producer
      • 1995
    • Downwardly Mobile (1994)
      Downwardly Mobile
      8.3
      TV Series
      • producer
      • 1994
    • Friday on My Mind (1992)
      Friday on My Mind
      6.0
      TV Series
      • producer
      • 1992
    • Francesca Annis, Ian Richardson, and Christoph Waltz in The Gravy Train Goes East (1991)
      The Gravy Train Goes East
      7.1
      TV Mini Series
      • producer
      • 1991
    • Francesca Annis, Ian Richardson, and Christoph Waltz in The Gravy Train (1990)
      The Gravy Train
      7.4
      TV Mini Series
      • producer
      • 1990
    • Phyllis Logan, Joan Plowright, and Stephen Tompkinson in And a Nightingale Sang (1989)
      And a Nightingale Sang
      7.5
      TV Movie
      • producer
      • 1989
    • Screen Two (1984)
      Screen Two
      6.7
      TV Series
      • producer
      • 1985–1989

    Script and Continuity Department



    • The Kids from 47A (1973)
      The Kids from 47A
      7.8
      TV Series
      • script editor
      • 1973–1974
    • The Jensen Code (1973)
      The Jensen Code
      7.8
      TV Series
      • script editor
      • 1973
    • Adrienne Posta in Alexander the Greatest (1971)
      Alexander the Greatest
      6.7
      TV Series
      • script editor
      • 1971–1972
    • You're Only Young Twice
      TV Series
      • script editor
      • 1971

    Writer



    • Doctor Who: Target Novelisation Audiobooks (2005)
      Doctor Who: Target Novelisation Audiobooks
      6.6
      Podcast Series
      • written by
      • 2009–2022
    • Doctor Who: Philip Hinchcliffe Presents (2014)
      Doctor Who: Philip Hinchcliffe Presents
      6.2
      Podcast Series
      • written by
      • 2014–2021
    • Doctor Who: The Lost Stories (2009)
      Doctor Who: The Lost Stories
      6.7
      Podcast Series
      • written by
      • 2012
    • Paul Nicholas in Bust (1987)
      Bust
      6.8
      TV Series
      • writer
      • creator
      • 1987–1988
    • Christopher Benjamin, Kenneth Colley, Vivien Heilbron, Philip Madoc, Patrick Mower, Ron Pember, Brendan Price, Sandy Ratcliff, and Maurice Roëves in Target (1977)
      Target
      7.1
      TV Series
      • writer
      • 1977
    • Paul McGann, Colin Baker, Tom Baker, Peter Davison, William Hartnell, Sylvester McCoy, Jon Pertwee, and Patrick Troughton in Doctor Who (1963)
      Doctor Who
      8.4
      TV Series
      • Writer (uncredited)
      • 1976
    • Crossroads (1964)
      Crossroads
      4.5
      TV Series
      • script
      • 1970

    Personal details

    • Born
      • October 1, 1944
      • Dewsbury, Yorkshire, England, UK
    • Spouse
      • Deirdre Hanefey1970 - present (2 children)
    • Other works
      (1977-80) Wrote novelizations of the Doctor Who (1963) serials "The Keys of Marinus", "The Seeds of Doom" and "The Masque of Mandragora" for Target Books.
    • Publicity listings
      • 3 Interviews

    Did you know

    • Trivia
      He was heavily criticised as producer of Doctor Who (1963), especially by Mary Whitehouse and her National Viewers' and Listeners' Association, for introducing more horror elements into the series and sanctioning more graphic depictions of violence and gore. Despite this criticism, the series enjoyed many of its highest viewing figures during this period, with 44 episodes winning more than 10 million viewers, making him by some measure the most successful producer of the series.
    • Quotes
      [regarding his time on Doctor Who (1963)] Some of the stories of my era were latched onto as being more frightening but I don't think we ever overstepped the mark in my view and people seemed to like it because the ratings were very high.

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