Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

See which big screen releases you can watch from the comfort of your couch.

Theatrical Releases Coming to Streaming

Get a closer look at these actors from their many TV and streaming series roles.

Streaming Stars, Then and Now

London-born character actor George Richard Haydon was noted for his put-on nasal delivery and pompous, fussy manner. Haydn had a laborious start to his show business career, selling tickets in the box office of London's Daly Theatre. This was followed by an unsuccessful stint with a comedy act in musical revue. For a change of pace, he became overseer of a Jamaican banana plantation only to see it wiped out by a hurricane.

Returning home, he appeared in the 1926 West End production of 'Betty of Mayfair' and, soon after, also began to act on radio. It was in this medium where he first found success, creating his signature character: the perpetually befuddled nasally-voiced fish expert and mother's boy Edwin Carp. Haydn later immortalized the titular character in a book, titled "The Journal of Edwin Carp". The Carp routine opened the door for Haydn to appear with Beatrice Lillie on Broadway in Noël Coward's 'Set to Music' (1939) and this, in turn, resulted in a contract with 20th Century Fox.

While his first major screen role in Charley's Aunt (1941) was relatively straight-laced, he was more often seen in comedic roles where his lugubrious face and dignified, sometimes unctuous presence could be employed to scene-stealing effect. His notable characterizations in this vein include the over-enunciating Professor Oddly in Ball of Fire (1941), Rogers (the butler) in And Then There Were None (1945) and Mr. Wilson in Cluny Brown (1946). He essayed a rare villainous role as the odious Earl of Radcliffe in the period drama Forever Amber (1947) and was back to his usual form as Mr. Appleton in Sitting Pretty (1948). In The Late George Apley (1947), he played the character of Horatio Willing "with a broad edge of wheezy burlesque" (so wrote Bosley Crowther of the New York Times, March 21, 1947).

In the late 40s, Haydn made a brief foray into directing. Of his three films for Paramount, the Bing Crosby vehicle Mr. Music (1950) enjoyed the best critical reviews. Among his later appearances on screen, that of Trapp family friend and promoter Max Detweiler in The Sound of Music (1965), is the one which most often comes to mind. Over the years, he also made an impression as a voice actor in animated cartoons, notably on Warner Brothers Looney Tunes and as the Caterpillar from Alice in Wonderland (1951). He had frequent guest roles on television and starred in one of the best-remembered episodes of Rod Serling's The Twilight Zone (1959) ("A Thing About Machines"), as the arrogant machine-hating pedant Bartlett Finchley who loses a pitched battle with his household appliances, in particular his car. Haydn also caricatured a Japanese businessman in an episode of Bewitched (1964).

In private life, Haydn was a rather reclusive individual who liked horticulture and shunned interviews.

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