Haile Gerima
- Director
- Producer
- Writer
Halie Gerima arrived in the United States from his native Gondar,
Ethiopia, to study acting and directing at the Goodman Theater in
Chicago, Illinois. He later transferred to the Theater Department at
UCLA where he completed the Master's Program in Film. Afterward, he
relocated to Washington, DC, to teach at Howard University's Department
of Radio, Television, and Film where he has influenced young filmmakers
for over twenty-five years.
Influenced by UCLA classmate and filmmaker Charles Burnett, and by the celebrated Black poet and educator Sterling Brown, Gerima's films are noted for their exploration of the issues and history pertinent to members of the African diaspora, from the continent itself to the Americas and Western Hemisphere. Often corrective of Hollywood versions of slave stories, his films comment on the physical, cultural, and psychological dislocation of Black peoples during and after slavery. What distinguishes his films are that the narratives are told from the perspectives of Africans and members of the African Diaspora itself, rather than being sanitized and misinterpreted by more commercially oriented filmmakers.
Gerima's unique filmmaking aesthetic is coupled with a personal mission to correct long-held misconceptions about Black peoples' varied histories throughout the world; for this reason, he is considered--by colleagues and students alike--to be a master teacher in the classroom and behind the camera.
Influenced by UCLA classmate and filmmaker Charles Burnett, and by the celebrated Black poet and educator Sterling Brown, Gerima's films are noted for their exploration of the issues and history pertinent to members of the African diaspora, from the continent itself to the Americas and Western Hemisphere. Often corrective of Hollywood versions of slave stories, his films comment on the physical, cultural, and psychological dislocation of Black peoples during and after slavery. What distinguishes his films are that the narratives are told from the perspectives of Africans and members of the African Diaspora itself, rather than being sanitized and misinterpreted by more commercially oriented filmmakers.
Gerima's unique filmmaking aesthetic is coupled with a personal mission to correct long-held misconceptions about Black peoples' varied histories throughout the world; for this reason, he is considered--by colleagues and students alike--to be a master teacher in the classroom and behind the camera.
