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Geraldine Farrar(1882-1967)

  • Actress
  • Soundtrack
IMDbProStarmeterSee rank
Geraldine Farrar
Famed singer and author Geraldine Farrar was educated in public schools and then became a music student of Mrs. J.H. Long, Trabadello, Emma Thursby, Lilli Lehman and Graziani. Her 1901 debut was at the Royal Opera House in Berlin, in the role of Marguerite in "Faust". From 1906-22 she was a member of the Metropolitan Opera in New York. During World War II she was active in the Red Cross and the AWVS, and also made many lecture tours. She wrote two autobiographies. Joining ASCAP in 1936, her songwriting credits include "Ecstasy of Spring", "Here Beauty Dwells", "The Tryst", "The Alder Tree", "The Mirage", "Oh, Thou Field of Waving Corn", "Morning", "The Fountain", "The Dream", and "Love Comes and Goes" (all based on the music of Sergei Rachmaninoff), "The Whole World Knows", "Dear Homeland", "Fair Rosemarin" (all based on Fritz Kreisler themes") and "Tears" (based on a theme by Modest Mussorgsky).
BornFebruary 28, 1882
DiedMarch 11, 1967(85)
BornFebruary 28, 1882
DiedMarch 11, 1967(85)
IMDbProStarmeterSee rank

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Known for

Geraldine Farrar in Carmen (1915)
Carmen
6.3
  • Carmen
  • 1915
Geraldine Farrar in Joan the Woman (1916)
Joan the Woman
6.4
  • Jeanne d'Arc (Joan of Arc)
  • 1916
Geraldine Farrar in The Devil-Stone (1917)
The Devil-Stone
7.1
  • Marcia Manot
  • 1917
Geraldine Farrar in Flame of the Desert (1919)
Flame of the Desert
  • Lady Isabelle Channing
  • 1919

Credits

IMDbPro

Actress



  • Geraldine Farrar in The Riddle: Woman (1920)
    The Riddle: Woman
    • Lilla Gravert
    • 1920
  • Geraldine Farrar in The Woman and the Puppet (1920)
    The Woman and the Puppet
    • Concha Perez
    • 1920
  • Geraldine Farrar in Flame of the Desert (1919)
    Flame of the Desert
    • Lady Isabelle Channing
    • 1919
  • The World and Its Woman (1919)
    The World and Its Woman
    6.1
    • Marcia Warren
    • 1919
  • The Stronger Vow (1919)
    The Stronger Vow
    • Dolores de Cordova
    • 1919
  • Geraldine Farrar in Shadows (1919)
    Shadows
    • Muriel Barnes
    • Cora Lamont
    • 1919
  • The Hell Cat (1918)
    The Hell Cat
    • Pancha O'Brien
    • 1918
  • The Bonds That Tie
    Short
    • Miss Columbia
    • 1918
  • Geraldine Farrar in The Turn of the Wheel (1918)
    The Turn of the Wheel
    • Rosalie Dean
    • 1918
  • Geraldine Farrar in The Devil-Stone (1917)
    The Devil-Stone
    7.1
    • Marcia Manot
    • 1917
  • The Woman God Forgot (1917)
    The Woman God Forgot
    5.7
    • Tecza (daughter of Montezuma)
    • 1917
  • Geraldine Farrar in Joan the Woman (1916)
    Joan the Woman
    6.4
    • Jeanne d'Arc (Joan of Arc)
    • 1916
  • Pedro de Cordoba, Geraldine Farrar, Ernest Joy, and Anita King in Maria Rosa (1916)
    Maria Rosa
    6.4
    • Maria Rosa
    • 1916
  • Geraldine Farrar in Temptation (1915)
    Temptation
    5.1
    • Renee Dupree
    • 1915
  • Geraldine Farrar in Carmen (1915)
    Carmen
    6.3
    • Carmen
    • 1915

Soundtrack



  • Scary Stories to Tell in the Dark (2019)
    Scary Stories to Tell in the Dark
    6.2
    • performer: "Believe Me If All Those Endearing Young Charms"
    • 2019
  • Hung (2009)
    Hung
    7.2
    TV Series
    • performer: "Un Bel di Vedremo" (uncredited)
    • 2009

Personal details

  • Height
    • 5′ 3″ (1.60 m)
  • Born
    • February 28, 1882
    • Melrose, Massachusetts, USA
  • Died
    • March 11, 1967
    • Ridgefield, Connecticut, USA(heart attack)
  • Spouse
    • Lou TellegenFebruary 9, 1916 - 1923 (divorced)
  • Publicity listings
    • 5 Print Biographies
    • 39 Articles
    • 2 Magazine Cover Photos

Did you know

  • Trivia
    She was awarded 2 Stars on the Hollywood Walk of Fame for Motion Pictures at 1620 Vine Street and for Recording at 1709 Vine Street in Hollywood, California.
  • Quotes
    [on Joan the Woman (1916)] We have all watched the story develop from an idea into a massive production. I think Mr. DeMille has done wonderful things and I believe the scenario by Miss MacPherson to be a revelation to those who doubt that a long picture must rely on its spectacular features to the exclusion of its heart interest. It is true that throughout this picture there are various extraordinary spectacles, such as the battle scenes in the siege of Orleans, but one never loses sight of the central figure, her hopes, her ambitions, her disappointments and her failures.
  • Nickname
    • Gerry

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