Brian Connor(I)
- Visual Effects
Brian Connor is a Production VFX Supervisor with over 22 years of experience in high-end feature film and episodic visual effects. He recently wrapped post on 'Devotion' for director J.D. Dillard as the overall Production VFX Supervisor. He recently won a VES, BAFTA and OSCAR for the visual effects work he supervised on Denis Villeneuve's 'Dune'.
Previously, Brian supervised George Clooney's World War II drama 'Catch 22' for Hulu. His work on the series earned him an Emmy Nomination at the 2019 Emmy Awards for 'Outstanding Special Visual Effects in a Supporting Role'. Brian also served as VFX Supervisor on 'Godzilla: King of the Monsters' (2019) which was nominated for a 'Saturn' Award.
Brian is a member of both the Academy of Motion Picture Arts and Sciences (AMPAS) and the Visual Effects Society (VES).
Brian has extensive experience of bringing the physical reality of practical, in-camera elements together with state-of-the-art digital material to create seamless, photo-realistic results.....all in service to the story. He is experienced in both practical aerial cinematography and its Virtual Production use as a background in an LED Volume with motion-base buck.
Brian has solid knowledge of on-set work gained through films such as 'The Host', 'Chaos Walking', 'Star Trek Beyond', 'Godzilla: King of the Monsters' and 'Dune', where he served as on-set Supervisor. He is versatile and resourceful, and always looks for the most appropriate, cost-effective, practical vs digital methodologies at every stage of the process.
Originally from Chicago, Brian Brian co-authored a book called 'The Encyclopedia of Visual Effects' and was a contributor to Ron Brinkmann's 2nd edition of 'The Art & Science of Digital Compositing'.
Previously, Brian supervised George Clooney's World War II drama 'Catch 22' for Hulu. His work on the series earned him an Emmy Nomination at the 2019 Emmy Awards for 'Outstanding Special Visual Effects in a Supporting Role'. Brian also served as VFX Supervisor on 'Godzilla: King of the Monsters' (2019) which was nominated for a 'Saturn' Award.
Brian is a member of both the Academy of Motion Picture Arts and Sciences (AMPAS) and the Visual Effects Society (VES).
Brian has extensive experience of bringing the physical reality of practical, in-camera elements together with state-of-the-art digital material to create seamless, photo-realistic results.....all in service to the story. He is experienced in both practical aerial cinematography and its Virtual Production use as a background in an LED Volume with motion-base buck.
Brian has solid knowledge of on-set work gained through films such as 'The Host', 'Chaos Walking', 'Star Trek Beyond', 'Godzilla: King of the Monsters' and 'Dune', where he served as on-set Supervisor. He is versatile and resourceful, and always looks for the most appropriate, cost-effective, practical vs digital methodologies at every stage of the process.
Originally from Chicago, Brian Brian co-authored a book called 'The Encyclopedia of Visual Effects' and was a contributor to Ron Brinkmann's 2nd edition of 'The Art & Science of Digital Compositing'.
