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André Cayatte(1909-1989)

  • Writer
  • Director
  • Second Unit Director or Assistant Director
IMDbProStarmeterSee rank
André Cayatte
André Cayatte (b.1909 in Carcassonne, Aude, France) was a lawyer turned novelist and journalist, then screenwriter in 1938, after which he became a film director in 1942. He was known in France from the 1940s to the 1970s for uncompromising films examining the complex ethical and political dimensions of crime and justice in the French judicial system. He saw film as a stimulus for reform, advocating social concerns, and in this way was much a seminal forerunner to Costa-Gavras. Cayatte wrote or co-wrote the scripts for all of his films (his collaborators often including Charles Spaak). He was largely considered the 'Sidney Lumet of France'. Highlights of his career: "The Lovers of Verona" (1949), with dialogue by poet Jacques Prévert, is considered by many to be Cayatte's towering achievement, a first international success, a story loosely based on William Shakespeare's "Romeo and Juliet". His film "Justice is Done" (1950) won the Golden Lion at the Venice Film Festival and was one of the first films to deal with the moral acceptability of euthanasia. "We Are All Murderers" was one of the first strong indictments against the death penalty; it focused on a bleak vision of prisoners who were waiting to be executed and received a special award at the 1952 Cannes Film Festival. "Piège Pour Cendrillon" (1965) (remade in the UK as "The Cinderella Trap") was a tense thriller based on a Sebastien Japrisot novel. In 1967 "Les Risques Du Métier" starring famed Belgian singer Jacques Brel dealt with the tragedy of a school teacher,accused of abusing his pupils. "Mourir D'Aimer" (1971) was based on the real life Gabrielle Russier affair and in an highly emotional manner depicted the forbidden love of a teacher for one of her students. The film would introduce actress Annie Girardot, who was to become a French star and his favorite actress. "Il N'y A Pas De Fumée Sans Feu" and "La Raison D'Etat" were both political thrillers. "A Chacun Son Enfer" was in particular a highly disturbing and provocative criminal thriller, focusing on the unbearable suffering of the mother (Annie Girardot) of a kidnapped daughter, and is considered Cayatte 's most terrifying work. "The Mirror Has Two Faces" (1958) was one of the forerunners of movies dealing with the consequences of plastic surgery, namely the emotional and psychological repercussions on the relationship between a husband and a wife. The film, starring Michelle Morgan, was later remade by Barbara Streisand as "The Mirror Has Two Faces" (1996). Cayatte published six novels before entering the film industry. The opus of his French work, in particular his socially conscious films, can be summed up as a sincere moral plea for a more humane form of justice in the face of rigid and difficult systems of laws and regulations. He exclusively worked for TV in the eighties; he died in 1989 in Paris, France, age 80.
BornFebruary 3, 1909
DiedFebruary 6, 1989(80)
BornFebruary 3, 1909
DiedFebruary 6, 1989(80)
IMDbProStarmeterSee rank
  • Awards
    • 12 wins & 11 nominations total

Known for

Raymond Bussières, Jacques Castelot, Jean Debucourt, Jean-Pierre Grenier, Claude Nollier, Marcel Pérès, Noël Roquevert, and Valentine Tessier in Justice Is Done (1950)
Justice Is Done
7.1
  • Writer
  • 1950
Il n'y a pas de fumée sans feu (1973)
Il n'y a pas de fumée sans feu
7.0
  • Writer
  • 1973
Monica Vitti and Jean Yanne in La raison d'État (1978)
La raison d'État
6.3
  • Writer
  • 1978
Before the Deluge (1954)
Before the Deluge
6.9
  • Writer
  • 1954

Credits

IMDbPro

Writer



  • Jeff Bridges and Barbra Streisand in The Mirror Has Two Faces (1996)
    The Mirror Has Two Faces
    6.7
    • screenplay "Le Miroir a Deux Faces"
    • 1996
  • Paul Guers, Claude Jade, Louise Marleau, Richard Münch, Fernando Rey, Claude Rich, and Peter Sattmann in Le grand secret (1989)
    Le grand secret
    7.5
    TV Mini Series
    • Writer
    • writer
    • 1989
  • Les dossiers de l'écran (1967)
    Les dossiers de l'écran
    6.0
    TV Series
    • Writer
    • 1980–1982
  • Bibi Andersson and Annie Girardot in L'amour en question (1978)
    L'amour en question
    6.0
    • writer
    • 1978
  • Monica Vitti and Jean Yanne in La raison d'État (1978)
    La raison d'État
    6.3
    • scenario and dialogue
    • 1978
  • À chacun son enfer (1977)
    À chacun son enfer
    7.1
    • screenplay
    • story
    • 1977
  • Sophia Loren and Jean Gabin in Verdict (1974)
    Verdict
    6.3
    • original screenplay
    • 1974
  • Il n'y a pas de fumée sans feu (1973)
    Il n'y a pas de fumée sans feu
    7.0
    • writer
    • 1973
  • Annie Girardot in Mourir d'aimer... (1971)
    Mourir d'aimer...
    6.9
    • Writer
    • 1971
  • The Pleasure Pit (1969)
    The Pleasure Pit
    5.6
    • writer
    • 1969
  • Les risques du métier (1967)
    Les risques du métier
    7.1
    • Writer
    • 1967
  • Piège pour Cendrillon (1965)
    Piège pour Cendrillon
    6.6
    • adaptation
    • 1965
  • Jacques Charrier and Marie-José Nat in Anatomy of a Marriage (1964)
    Anatomy of a Marriage
    7.1
    • screenplay (adaptation)
    • 1964
  • Jacques Charrier and Marie-José Nat in Anatomy of a Marriage (1964)
    Anatomy of a Marriage
    7.1
    • adaptation
    • 1964
  • Anthony Perkins, Jean-Claude Brialy, André Cayatte, Henri Jeanson, Renato Salvatori, and Charles Spaak in Two Are Guilty (1962)
    Two Are Guilty
    6.8
    • screenplay
    • 1962

Director



  • Les dossiers de l'écran (1967)
    Les dossiers de l'écran
    6.0
    TV Series
    • Director
    • 1980–1983
  • Bibi Andersson and Annie Girardot in L'amour en question (1978)
    L'amour en question
    6.0
    • Director
    • 1978
  • Monica Vitti and Jean Yanne in La raison d'État (1978)
    La raison d'État
    6.3
    • Director
    • 1978
  • À chacun son enfer (1977)
    À chacun son enfer
    7.1
    • Director
    • 1977
  • Sophia Loren and Jean Gabin in Verdict (1974)
    Verdict
    6.3
    • Director
    • 1974
  • Il n'y a pas de fumée sans feu (1973)
    Il n'y a pas de fumée sans feu
    7.0
    • Director
    • 1973
  • Annie Girardot in Mourir d'aimer... (1971)
    Mourir d'aimer...
    6.9
    • Director
    • 1971
  • The Pleasure Pit (1969)
    The Pleasure Pit
    5.6
    • Director
    • 1969
  • Les risques du métier (1967)
    Les risques du métier
    7.1
    • Director
    • 1967
  • Piège pour Cendrillon (1965)
    Piège pour Cendrillon
    6.6
    • Director
    • 1965
  • Jacques Charrier and Marie-José Nat in Anatomy of a Marriage (1964)
    Anatomy of a Marriage
    7.1
    • Director
    • 1964
  • Jacques Charrier and Marie-José Nat in Anatomy of a Marriage (1964)
    Anatomy of a Marriage
    7.1
    • Director
    • 1964
  • Anthony Perkins, Jean-Claude Brialy, André Cayatte, Henri Jeanson, Renato Salvatori, and Charles Spaak in Two Are Guilty (1962)
    Two Are Guilty
    6.8
    • Director
    • 1962
  • Charles Aznavour, Nicole Courcel, Georges Rivière, and Cordula Trantow in Tomorrow Is My Turn (1960)
    Tomorrow Is My Turn
    6.8
    • Director
    • 1960
  • The Mirror Has Two Faces (1958)
    The Mirror Has Two Faces
    6.6
    • Director
    • 1958

Second Unit or Assistant Director



  • Annette et la dame blonde (1942)
    Annette et la dame blonde
    6.3
    • assistant director
    • 1942

Personal details

  • Official sites
    • Encyclopedia
    • France's national library catalogue
  • Born
    • February 3, 1909
    • Carcassonne, Aude, France
  • Died
    • February 6, 1989
    • Paris, France(heart attack)
  • Spouse
    • Christiane SégardApril 1, 1940 - 1945 (divorced)
  • Relatives
    • Paul Cayatte(Sibling)
  • Other works
    (Summer 1951) His play, "The Curtain Rises," was performed in a Kenley Players production in Lakewood Park Theatre in Barnesville, Pennsylvania with Veronica Lake in the cast. John Kenley was artistic director.
  • Publicity listings
    • 1 Pictorial

Did you know

  • Trivia
    Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 113-115. New York: The H.W. Wilson Company, 1987.

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