Get a closer look at some of Hollywood's perfect pairs.

Hollywood Power Couples

Get a closer look at some of Hollywood&#39;s perfect pairs.

"The Gentlemen" and "Slow Horses" return this fall, while the "Reacher" spin-off series "Neagley" makes its debut. See our guide of the biggest Fall TV and streaming releases.

2026 Fall TV and Streaming Watch Guide

&quot;The Gentlemen&quot; and &quot;Slow Horses&quot; return this fall, while the &quot;Reacher&quot; spin-off series &quot;Neagley&quot; makes its debut. See our guide of the biggest Fall TV and streaming releases.

Get a closer look at these actors from their many TV and streaming series roles.

Streaming Stars, Then and Now

Daws Butler spent the greater part of his career as one of the premier voice-over actors in Hollywood- providing the voices for such well- known characters as Yogi Bear, Huckleberry Hound, Quick-Draw McGraw, Snagglepuss, Jinks the cat, Dixie the mouse, Augie Doggie, Peter Potamus, Wally Gator, Hokey Wolf, Super Snooper, Blabber Mouse, Cogswell Cogs, Elroy Jetson and many others. He also provided the voices for such long-running commercial characters as Snap, diminutive companion of Crackle and Pop of noisy cereal fame, as well as Cap'n Crunch, spokesman for a somewhat quieter breakfast treat.

Butler was born in Toledo, Ohio and spent his formative years in Oak Park, Illinois. Although his initial ambition was to be a cartoonist, he had a talent for vocal humor and mimicry as well. Paradoxically, he was also quite shy. As a sort of self- imposed therapy, he forced himself to address large audiences by entering local amateur contests and performing impersonations of Franklin D. Roosevelt, Rudy Vallee and a Model T Ford starting on a cold morning (an audience favorite). He found that the laughter and applause he got in response was well worth the effort and it clinched his decision to pursue an acting and performing career. Eschewing the last few months of his senior year in high school, he began appearing in Chicago theaters and nightclubs along with two other impersonators he had met along the way. Because they all maxed out at around five feet, two inches in height and primarily did impressions of radio personalities, they billed themselves as "The Three Short Waves."

After two years in the Navy during World War II, during which he met and married Myrtis Martin of Albemarle, N.C. (whose next-door neighbor provided the inspiration for what would later become the southern drawl of Huckleberry Hound), Butler ferried his wife and son out to Hollywood. He finally broke into radio, performing in dramatic as well as comedy programs and specializing in dialects and a wide range of vocal characterizations.

In 1949, Butler and Stan Freberg were featured in a new television puppet show called "Time for Beany." Butler was the voice of a propeller-capped kid named Beany while Freberg voiced his best pal, Cecil the Seasick Sea Serpent. During five years of five shows a week, they were honored with two Emmy awards.

At Capitol Records in the early 1950s, Butler and Freberg co-wrote and co-voiced a comedy record takeoff on the TV show "Dragnet," called "St. George and the Dragonet." Not only was Jack Webb flattered and amused by the record, but it was the first comedy record to sell more than a million copies. Butler's and Freberg's partnership produced several other comedy platters beloved by disc jockeys across the country, even today. Butler was also a part of Freberg's comedy ensemble on the Stan Freberg Radio Show in the summer of 1957 and on a later and very popular comedy single called "Christmas Dragnet."

After lengthy and very productive collaborations with famed animators/directors Tex Avery and Walter Lantz, Butler embarked on yet another inspired partnership, with William Hanna and Joseph Barbera at Hanna-Barbera Productions. There, beginning in the late 50s, Butler created his most famous cartoon characterizations, aided and abetted by another gifted voice actor, Don Messick-Boo Boo and Ranger Smith to Butler's Yogi Bear and Pixie the Mouse to his Dixie, among others.

For legendary cartoon producer Jay Ward, Butler, along with fellow actors and friends June Foray and Bill Scott, performed in two animated series, "Fractured Fairy Tales" and "Aesop and Son." His long-running Cap'n Crunch character was also a Jay Ward creation.

In his later years, Butler established a popular and respected actors' workshop in his home, training talented students not only in voice- over techniques, but in all areas of acting, including the physical. On that subject, especially, one had only to witness Butler's histrionic physicality when voicing Yogi Bear or his laid- back, sleepy-eyed mien as he became Huckleberry Hound to understand why he considered facial expression and physical movement as essential as sound in producing a living, breathing character. One of Butler's star workshop students was Nancy Cartwright, later the voice of Bart Simpson on "The Simpsons." Daws Butler passed away on May 19, 1988 of a heart attack, having just completed three Yogi Bear films and 15 new half-hour Yogi Bear cartoon shows. He also lived to see the rebirth of The Jetsons for a new generation, voicing 30 of the new shows along with all the members of the original cast. During his longest- standing creative collaboration, the 30-odd years with Hanna-Barbara Productions, Daws Butler performed in the neighborhood of 40 different characters. In the years that followed his death, seven actors were required to replace them all.

[in 1975 to writer Joe Bevilacqua, on the art of acting] I want you to understand the words. I want you to taste the words. I
want you to love the words. Because the words are important. But
they&#39;re only words. You leave them on the paper and you take the
thoughts and put them into your mind and then you as an actor recreate
them, as if the thoughts had suddenly just occurred to you.

You have your hardware and your software. You have the machine to do
it and then you need the stuff inside to put into it. The hardware is
your lips, your tongue, your chest -- all the ways you get the voice
projected. The software is in your head and that&#39;s where your material
comes from. That&#39;s what makes it work.

Sensitivity is at the bottom of the whole thing and caring about what
you do.

What I ended up doing, the voicing, is all I ever wanted to do. I
never really hungered to be on camera or to be recognized in public. I
don&#39;t see the point in it. That&#39;s flattery. The amazing thing is that
once in a while somebody recognizes something in the timbre of my voice
and says, &quot;Are you Daws Butler?&quot; That&#39;s nice that they like my work,
but I really like being withdrawn and anonymous.

[In addition to Joe Bevilacqua&#39;s quote] Listen to the music of the words. Those words made it to the page, and the music of those words, and the way you play that music, will always be vital to your performance - whether the words on the page are the actual ones you use or not.

Quotes

Daws Butler

Contribute to this page

More from this person

More to explore

Recently viewed