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Composer ("Adagio for Strings", "Overture to 'The School for Scandal'"). He was educated at the Curtis Institute, and studied with Isabelle Vengerova, Emilio de Gogorza, Fritz Reiner, and Rosario Scalero. He was awarded an honorary music degree from Harvard University. He was a sergeant in the USAF during World War II. He conducted and recorded his own compositions with orchestras in the USA and in Europe. Joining ASCAP in 1939, his chief musical collaborator was Gian Carlo Menotti. He received the American Prix de Rome in 1935, a Guggenheim fellowship, and Pulitzer awards in 1935 and 1936, plus the Bearns Prize for the "Overture to 'The School for Scandal'". His works besides the above-mentioned include: "Serenade for Strings Quartet"; "Cello Sonata"; "Music for a Scene from Shelley"; "String Quartet No. 1"; "2 Essays for Orchestra"; "Three Reincarnations: A Stopwatch and an Ordnance Map"; "Violin Concerto"; "Commando March"; "Capricorn Concerto"; "4 Excursions for Piano"; "Cello Concerto" (NY Music Critics Award, 1946); "Medea (ballet)"; "Nuvoletta"; "Knoxville: Summer of 1915"; "Piano Sonata"; "Souveniers (ballet)"; "Prayers of Kierkegaard (cantata)"; "Hermit Songs" "Summer Music for Woodwind Quintet"; "Vanessa" (opera, Pulitzer Prize, 1958); "A Hand of Bridge"; "Toccata Festiva"; "Nocturne"; "Adromache's Farewell"; "Piano Concerto No. 1" (Pulitzer Prize, 1963, NY Music Critics Award, 1964); "Antony and Cleopatra (opera)" (Metropolitan Opera Ford Foundation commission); and two symphonies.

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Samuel Barber

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